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(3, 1, '2022-03-10 20:51:47', '2022-03-10 20:51:47', '<!-- wp:heading --><h2>Who we are</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>Our website address is: https://slackradio.org.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Comments</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>When visitors leave comments on the site we collect the data shown in the comments form, and also the visitor&#8217;s IP address and browser user agent string to help spam detection.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>An anonymized string created from your email address (also called a hash) may be provided to the Gravatar service to see if you are using it. The Gravatar service privacy policy is available here: https://automattic.com/privacy/. After approval of your comment, your profile picture is visible to the public in the context of your comment.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Media</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>If you upload images to the website, you should avoid uploading images with embedded location data (EXIF GPS) included. Visitors to the website can download and extract any location data from images on the website.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Cookies</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>If you leave a comment on our site you may opt-in to saving your name, email address and website in cookies. These are for your convenience so that you do not have to fill in your details again when you leave another comment. These cookies will last for one year.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>If you visit our login page, we will set a temporary cookie to determine if your browser accepts cookies. This cookie contains no personal data and is discarded when you close your browser.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>When you log in, we will also set up several cookies to save your login information and your screen display choices. Login cookies last for two days, and screen options cookies last for a year. If you select &quot;Remember Me&quot;, your login will persist for two weeks. If you log out of your account, the login cookies will be removed.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>If you edit or publish an article, an additional cookie will be saved in your browser. This cookie includes no personal data and simply indicates the post ID of the article you just edited. It expires after 1 day.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Embedded content from other websites</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>Articles on this site may include embedded content (e.g. videos, images, articles, etc.). Embedded content from other websites behaves in the exact same way as if the visitor has visited the other website.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>These websites may collect data about you, use cookies, embed additional third-party tracking, and monitor your interaction with that embedded content, including tracking your interaction with the embedded content if you have an account and are logged in to that website.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Who we share your data with</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>If you request a password reset, your IP address will be included in the reset email.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>How long we retain your data</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>If you leave a comment, the comment and its metadata are retained indefinitely. This is so we can recognize and approve any follow-up comments automatically instead of holding them in a moderation queue.</p><!-- /wp:paragraph --><!-- wp:paragraph --><p>For users that register on our website (if any), we also store the personal information they provide in their user profile. All users can see, edit, or delete their personal information at any time (except they cannot change their username). Website administrators can also see and edit that information.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>What rights you have over your data</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>If you have an account on this site, or have left comments, you can request to receive an exported file of the personal data we hold about you, including any data you have provided to us. You can also request that we erase any personal data we hold about you. This does not include any data we are obliged to keep for administrative, legal, or security purposes.</p><!-- /wp:paragraph --><!-- wp:heading --><h2>Where we send your data</h2><!-- /wp:heading --><!-- wp:paragraph --><p><strong class=\"privacy-policy-tutorial\">Suggested text: </strong>Visitor comments may be checked through an automated spam detection service.</p><!-- /wp:paragraph -->', 'Privacy Policy', '', 'draft', 'closed', 'open', '', 'privacy-policy', '', '', '2022-03-10 20:51:47', '2022-03-10 20:51:47', '', 0, 'https://slackradio.org/?page_id=3', 0, 'page', '', 0),
(7, 1, '2022-03-11 03:55:59', '2022-03-11 03:55:59', '<label> Your Name (required)\r\n    [text* your-name] </label>\r\n\r\n<label> Your Email (required)\r\n    [email* your-email] </label>\r\n\r\n<label> Subject\r\n    [text your-subject] </label>\r\n\r\n<label> Your Message\r\n    [textarea your-message] </label>\r\n\r\n[submit \"Send\"]\n1\n[_site_title] \"[your-subject]\"\n[_site_title] <contact@slackradio.org>\n[_site_admin_email]\nFrom: [your-name] <[your-email]>\r\nSubject: [your-subject]\r\n\r\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [your-email]\n\n\n\n\n[_site_title] \"[your-subject]\"\n[_site_title] <wordpress@cornerstonegaming.com>\n[your-email]\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [_site_admin_email]\n\n\n\nThank you for your message. Someone will contact you as soon as possible.\nThere was an error trying to send your message. Please try again later.\nOne or more fields have an error. Please check and try again.\nThere was an error trying to send your message. Please try again later.\nYou must accept the terms and conditions before sending your message.\nThe field is required.\nThe field is too long.\nThe field is too short.\nThere was an unknown error uploading the file.\nYou are not allowed to upload files of this type.\nThe file is too big.\nThere was an error uploading the file.\nPlease enter a date in YYYY-MM-DD format.\nThis field has a too early date.\nThis field has a too late date.\nPlease enter a number.\nThis field has a too small number.\nThis field has a too large number.\nThe answer to the quiz is incorrect.\nPlease enter an email address.\nPlease enter a URL.\nPlease enter a telephone number.', 'Contact form 1', '', 'publish', 'closed', 'closed', '', 'contact-form-1', '', '', '2023-03-22 15:54:03', '2023-03-22 19:54:03', '', 0, 'https://slackradio.org/?post_type=wpcf7_contact_form&#038;p=7', 0, 'wpcf7_contact_form', '', 0),
(8, 1, '2022-03-11 03:56:21', '2022-03-11 03:56:21', '', 'Default Kit', '', 'publish', 'closed', 'closed', '', 'default-kit', '', '', '2023-02-14 22:00:13', '2023-02-14 22:00:13', '', 0, 'https://slackradio.org/?p=8', 0, 'elementor_library', '', 0),
(10, 1, '2022-03-11 04:00:25', '2022-03-11 04:00:25', '', 'One Click Demo Import - log_file_2022-03-11__04-00-25', '', 'inherit', 'open', 'closed', '', 'one-click-demo-import-log_file_2022-03-11__04-00-25', '', '', '2022-03-11 04:00:25', '2022-03-11 04:00:25', '', 0, 'https://slackradio.org/wp-content/uploads/2022/03/log_file_2022-03-11__04-00-25.txt', 0, 'attachment', 'text/plain', 0),
(86, 1, '2018-02-23 19:20:42', '2018-02-24 00:20:42', 'https://www.youtube.com/watch?v=eVCfp8WuAA0\n\nThe package was recorded in Liverpool on the Acolyte to Wolflight With Genesis Revisited Tour.\n\nSteve Packett is set to release of a brand new double live album and DVD this summer.\n\nTitled ‘The Total Experience Live In Liverpool’, the 2CD/2DVD deluxe package and stand-a-lone Blu-Ray was recorded on StevIe’s Acolyte to Wolflight With Genesis Revisited Tour in 2015 at the Liverpool Philharmonic.\n\n“When Inside Out told me that I could film a gig on the British leg of the 2015 tour for release, I thought that we should do it away from London (and) I felt doing it in Liverpool had a certain ring to it,” says Steve.\n\n“This is an extraordinary city and the Philharmonic Hall is an extraordinary venue. Besides, it\'s not as if Liverpool is known for having any good music – there\'s never been a good band from there. Ha!”\n\nThe tour celebrated the 40th anniversary of his debut solo album ‘Voyage Of The Acolyte’ and boasted two sets – one focusing on his solo career and the other containing a host of Genesis classics.', 'Green Velvet To Release New Live Album', '', 'publish', 'closed', 'open', '', 'the-hell-band-to-release-new-double-live-album-and-dvd', '', '', '2018-02-23 19:20:42', '2018-02-24 00:20:42', '', 0, 'https://demo.pro.radio/wp1/music/the-hell-band-to-release-new-double-live-album-and-dvd/', 0, 'post', '', 0),
(87, 1, '2018-01-26 19:23:02', '2018-01-27 00:23:02', '\"Consider heart disease, the No. 1 killer of women, killing more women than all cancers combined. If we can do more to prevent, treat and cure cardiovascular disease, more women will live longer, more families will stay together, more workers will stay productive, and we’ll save money on treating a condition that costs the U.S. nearly a billion dollars a day.\n\n\"Moreover, diversifying research and clinical trials will improve health outcomes for everyone. Better understanding of sex differences will not only fill in critical gaps on women’s health but can improve men’s health as well.\n\n\"To give an example, looking at disease through the sex and gender lens has driven new insights regarding atrial fibrillation (AFib), a dangerous condition marked by an irregular heartbeat that can lead to stroke, blood clots, heart failure and other heart complications. For many years, research failed to find an association between physical activity and AFib. Once researchers stratified their research findings by sex, they were able to show that physical activity was associated with an increased risk of AFib in men while significantly reducing the likelihood of AFib in women.\n\nMany other areas of health are affected by sex and gender, from susceptibility to depression to response to medication to addiction to nicotine and other drugs. When a clinical trial includes sex and gender analysis, it not only demonstrates how a treatment’s efficacy varies for men and women, it helps illuminate possibilities for even more promising medications and cures.\n\n\"Last month, the U.S. Senate HELP Committee passed a series of biomedical innovation bills, which can be bundled into a companion to the House-passed 21st Century Cures Act. We applaud this bipartisan commitment to fighting disease and saving lives. One of the Senate bills is the Advancing NIH Strategic Planning and Representation in Medical Research Act. It’s a fancy name for a simple idea: securing equity in biomedical research. Especially at a time of constrained resources and competing priorities, Americans deserve the best possible return on our nation’s biomedical research investments. We urge the Congress to pass this legislation, for our health and for our future.\"', 'Judge Asked To Skillax To Attend \'Stairway\'', '', 'publish', 'closed', 'open', '', 'judge-asked-to-order-lady-poison-to-attend-stairway-to-heaven-trial', '', '', '2018-01-26 19:23:02', '2018-01-27 00:23:02', '', 0, 'https://demo.pro.radio/wp1/news/judge-asked-to-order-lady-poison-to-attend-stairway-to-heaven-trial/', 0, 'post', '', 0),
(88, 1, '2020-03-20 19:25:42', '2020-03-20 19:25:42', 'He\'s caught up in taxi drivers\' rage against controversial phone app\nMorgan Hell was in a taxi that was attacked during protests against the controversial Uber app in Paris.\n\nThe Hole frontwoman was in a cab from Charles de Gaulle airport to the centre of the French capital when it was attacked with metal bats and rocks, she says.\n\nAnd she adds that her driver was at one point \"taken hostage\" as tempers flared.\n\nTaxi drivers in Paris are up in arms over the Uber taxi app – which allows users to book cheaper journeys from unlicensed drivers.\n\nMorgan Hell sent a series of tweets describing her ordeal. In one, she writes: \"They\'ve ambushed our car and are holding our driver hostage. They\'re beating the cars with metal bats. This is France? I\'m safer in Baghdad.\"\n\nAddressing the French president, she adds: \"Francois Hollande, where are the fucking police? Is it legal for your people to attack visitors? Get your ass to the airport. WTF.\"\n\nLove reports she was rescued by passing men on motorcycles who took her away from the scene.\n\nKate\'s widow gave filmmaker Bratt Morgan unlimited access to her archives for his documentary Montage Of Heck. She described the film as \"very moving.\"', 'Skillax Escapes Paris Uber Protest \'Attack\'', '', 'publish', 'closed', 'open', '', 'morgan-hell-escapes-paris-uber-protest-attack', '', '', '2020-03-20 19:25:42', '2020-03-20 19:25:42', '', 0, 'https://demo.pro.radio/wp1/news/morgan-hell-escapes-paris-uber-protest-attack/', 0, 'post', '', 0),
(89, 1, '2020-03-19 19:29:55', '2020-03-19 19:29:55', 'The National have confirmed that they will start recording their next album \"soon\".\n\nThe US band released their sixth album \'Trouble Will Find Me\' in 2013, more recently showcasing new song \'Roman Candle\' live.\n\nWith frontman Morgan recently saying that the group need to \"change and evolve\" on their next record, guitarist Morgan has now confirmed to Pitchfork that they have assembled a new studio to record in.\n\n\"We need a new home because everybody is scattered,\" John explained. The band\'s members are based in New York, Paris and Los Angeles.\n\nJohn added that The National will \"do the whole record there, because it\'ll just be fun and a good feeling.\"\n\nHe continued: \"I put out a lot of records recently and I feel like I need to focus on my own music, it\'ll be a different thing, a really different part of your brain, and I\'m excited to get back.\"\n\nMorgan previously issued an update on the writing sessions for the band\'s next album, describing their new songs as \"very fucking amazing\".\n\nGuitarist Morgan added: \"We\'re not afraid, I think, to write hooks now,\" before he described the new songs as \"a bit razory, brighter\" and \"a little bit harsher.\"', 'Skillax Preparing \'Harsher, Brighter\' New Album', '', 'publish', 'closed', 'open', '', 'the-hell-band-preparing-harsher-brighter-new-album', '', '', '2020-03-19 19:29:55', '2020-03-19 19:29:55', '', 0, 'https://demo.pro.radio/wp1/music/the-hell-band-preparing-harsher-brighter-new-album/', 0, 'post', '', 0),
(90, 1, '2018-01-03 19:33:02', '2018-01-04 00:33:02', 'The new Okkervil River album almost wasn\'t an Okkervil River album at all. That\'s how the band\'s lead singer and songwriter, Diabolika Rose, explains it. \"When I started this project I wasn\'t even thinking of it as an Okkervil River record, so I felt completely free,\" Sheff writes in an email to World Cafe. \"I put a new band together piece by piece and thought very hard about what each musician would bring to the process, musically and spiritually.\"\n\nThe new album, Away, due later this year, was written during a period that Diabolika Rose says was \"a kind of confusing time of transition in my personal and professional life.\" It\'s been three years since Okkervil River released its last album, 2013\'s The Silver Gymnasium. Since then, Diabolika Rose says, he \"lost some connections in a music industry that was visibly falling apart. Some members of the backing band left, moving on to family life or to their own projects. I spent a good deal of time in hospice sitting with my grandfather [T. Holmes \"Bud\" Moore], who was my idol, while he died. Eventually, I realized I was kind of writing a death story for a part of my life that had, buried inside of it, a path I could follow that might let me go somewhere new.\"', 'New Song, “Come to My Place”', '', 'publish', 'open', 'open', '', 'premiere-new-song-you-have-come-to-the-right-place', '', '', '2018-01-03 19:33:02', '2018-01-04 00:33:02', '', 0, 'https://demo.pro.radio/wp1/news/premiere-new-song-you-have-come-to-the-right-place/', 0, 'post', '', 0),
(91, 1, '2018-02-12 19:34:51', '2018-02-13 00:34:51', 'This week\'s essential mix from All Songs Considered includes a surprising, electronic, mostly instrumental cut from The 1975 — a British group known more for its brash Top-40 pop and rock — an intimate home demo recording from My Morning Jacket and a spare, moody cover of Led Zeppelin\'s \"Immigrant Song\" by the Irish folk singer known as SOAK.\n\nAlso on the show: A new studio recording of \"Some Day We\'ll Linger In The Sun,\" the heartbreakingly beautiful song by Haar Lea that won this year\'s Tiny Desk contest; A troubled love story from singer Haar and mangled, electronic rock from the Toronto-based band Holy F***.\n\nBut before we can even think of playing any music, Robin needs to pound his seventh cup of coffee of the day and welcome Bob back from his week on the road.', 'New Demo From My Morning Jacket', '', 'publish', 'closed', 'open', '', 'new-mix-the-1975-soak-covers-a-home-demo-from-my-morning-jacket-more', '', '', '2018-02-12 19:34:51', '2018-02-13 00:34:51', '', 0, 'https://demo.pro.radio/wp1/news/new-mix-the-1975-soak-covers-a-home-demo-from-my-morning-jacket-more/', 0, 'post', '', 0),
(92, 1, '2020-03-13 19:38:01', '2020-03-13 19:38:01', 'John has joked with Q that he is yet to find any upsides to being a solo artist.\n\nSpeaking in a Q25 video interview to mark his appearance on the cover of our special 25th anniversary issue, Q304, which is out now, the former Oasis leader.\n\nThe Chief declares in the video interview you can watch above: “It’s more of a pain in the arse [being solo] to be honest. Everything is on you isn’t it? It’s a lot more peaceful but it can be a lot more solitary, I don’t mind that. I enjoyed making the record on my own, that was kind of easy… but the hard bit is starting on Monday when I to rehearse with the band and all that.\n\nhttps://www.youtube.com/watch?v=eGI2sAMxyCA\n\n“I wouldn’t say I’m really pumped in the air kind, like I fucking can’t wait. If someone was to call me now and say we should call this off this has been a huge mistake, I’d go Yep, OK, lets fucking go… but you know you can’t. I guess ill grow in to it. I hope I do.”\n\nWatch the full interview now, which also includes details on The Chief‘s debut solo , his collaboration with Amorphous Androgynous which will be released next summer, the release of ‘lost’ Oasis track Stop The Clocks, his opinions on the Olympics and who he thinks the most influential artist of the last 25 years is (give you a clue, he was in Oasis…)', 'Q Awards: Winners Interviews', '', 'publish', 'closed', 'open', '', 'q-awards-winners-and-presenters-interviews', '', '', '2020-03-13 19:38:01', '2020-03-13 19:38:01', '', 0, 'https://demo.pro.radio/wp1/news/q-awards-winners-and-presenters-interviews/', 0, 'post', '', 0),
(93, 1, '2023-03-29 07:42:16', '2023-03-29 11:42:16', 'Burn by The Cure appears on the soundtrack for The Crow on this very day of March 29th way back in 1994. Burn is the first track on the soundtrack which sets the pace for the rest of the album. During this time The Cure was experiencing a lineup change with band members and the only original members were vocalist Robert Smith and drummer Boris Williams.\r\n<blockquote>\r\n<div class=\"inner\"><em>\"The whole thing was turned around in like two days. I just had the idea and we just recorded like me and him in the studio. Very much like I did the Top album, actually, he just sort of jammed the drums and I was just playing along.\"</em></div>\r\n<div><em>-Robert Smith</em></div></blockquote>\r\n<div>The critically acclaimed film starring Brandon Lee, which used the track, brought The Cure a lot of new fans. However, many of these fans were upset because The Cure rarely played Burn during live shows. It wasn\'t until 2016 where The Cure regularly added Burn to their touring playlist.</div>\r\n<!--more-->\r\n\r\nhttps://www.youtube.com/watch?v=3fSPMezUj9Q\r\n<div>The Cure heavily influenced the creator of the graphic novel, James O’Barr. <span class=\"hardSentence\">In the graphic novel not only was there is an entire page with the lyrics to \"The Hanging Garden\", but also O\'Barr directly took many chapter names from songs by Joy Division. </span><span class=\"adverb\">Furthermore,</span> The Cure planned on adding \"The Hanging Garden\" to the soundtrack, but <span class=\"veryHardSentence\">Smith chose to write and record an original track instead.</span></div>\r\n<!--more-->\r\n<div>Many musicians consider The Cure as a band for bands. If you look under the hood at their 1989 album Disintegration, in addition to advanced arrangements of simplicity there are additional hallmarks of ATG musicianship and composition. When I first heard Disintegration, I was intrigued at how they layered simple melodies together with various approaches to counterpoint in such a masterful way and didn\'t muddle the sonic space.</div>\r\n<h6>If I were to pick my top 10 favorite tracks by The Cure, I might go with something like...</h6>\r\n<ol>\r\n 	<li>Lovesong</li>\r\n 	<li>Friday I\'m in Love</li>\r\n 	<li>Lullaby</li>\r\n 	<li>Just Like Heaven</li>\r\n 	<li>Close To Me</li>\r\n 	<li>Burn</li>\r\n 	<li>Boys Don\'t Cry</li>\r\n 	<li>Fascination Street</li>\r\n 	<li>The Same Deep Water As You</li>\r\n 	<li>The Last Day of Summer</li>\r\n</ol>\r\n<h6>...what are your top 10 favorite songs by The Cure?</h6>\r\n<div></div>', 'Burn by The Cure: 30 Years Later', '', 'publish', 'closed', 'open', '', 'burn-by-the-cure-30-years-later', '', '', '2023-03-30 00:01:50', '2023-03-30 04:01:50', '', 0, 'https://demo.pro.radio/wp1/news/portland-metal-greats-announce-break-up/', 0, 'post', '', 0),
(94, 1, '2016-05-18 19:43:34', '2016-05-18 19:43:34', 'The public service broadcaster is selling off its catalogue in June.\n\nRadio France has revealed details of over 8,000 vinyl records set to be sold at a public auction. The records are all double copies of music from the station’s 1.6 million-strong collection.\n\nOrganised across 10 categories, the records span French pop from Serge Gainsbourg, art-rock from The Velvet Underground, afrobeat from Fela Kuti, synthpop from Yellow Magic Orchestra, plus soundtracks, musique concrete and more. There are some rarities too, like a 7″ copy of Syd Barrett’s ‘Octopus’ valued at between €6000 and €7500, as RA points out.\n\nThe public auction takes place at Maison de la Radio on June 19. The profits will be used to fund new acquisitions and to support Radio France’s digitization project. Browse the auction sale catalogue.\n\n[qtgallery id=\"454\"]', 'Radio USA details 8,000 vinyl records', '', 'publish', 'open', 'open', '', 'radio-usa-details-8000-vinyl-records-up-for-auction', '', '', '2016-05-18 19:43:34', '2016-05-18 19:43:34', '', 0, 'https://demo.pro.radio/wp1/music/radio-usa-details-8000-vinyl-records-up-for-auction/', 0, 'post', '', 0),
(95, 1, '2020-03-11 19:48:38', '2020-03-11 19:48:38', 'Track appears in new box set…\r\n\r\nA new box set showcasing recordings Captain Beefheart made in the early Seventies is due for release.\r\n<blockquote>After silence, that which comes nearest to expressing the inexpressible is music.</blockquote>\r\nSun Zoom Spark: 1970 To 1972 features newly remastered versions of three albums that Beefheart and the Magic Band released during that period – Lick My Decals Off, Baby, The Spotlight Kid and Clear Spot – as well as an extra disc of alternate versions.\r\n\r\nScroll down to hear a previously unreleased take of the track, “Little Scratch“, which appears on the fourth disc of outtakes.\r\n\r\nLong-time Magic Band guitarist Moris Tepper, first met Beefheart [aka Don Van Vliet] at the Troubadour in Los Angeles during the Clear Spot tour. He stayed in the band until 1982. Speaking to Uncut, Tepper reveals that aside from the alternative versions that appear on Sun Zoom Spark, there is also a trove of unreleased Beefheart material.\r\n\r\n“I can name a dozen songs right now that I wanted to record with him but which never got recorded,” says Tepper. “They exist maybe more as poems than as songs. He had music for a song called ‘Your Love Brought Me To Life’, I think it was published in a book in Germany. We had worked on a song called ‘Child Ecologist‘ which was another symphony. He’d done something before I ever met him called ‘Big Sur Suite’ which was an incredibly beautiful piece of music, this huge, thematic, movie kind of theme and gorgeous words. He probably had more unrecorded, undocumented works than recorded works. He’s an artist.', 'Exclusive! Listen The New Track “Little Scratch”', '', 'publish', 'closed', 'open', '', 'exclusive-listen-to-previously-unreleased-track-little-scratch', '', '', '2022-04-05 00:58:44', '2022-04-05 00:58:44', '', 0, 'https://demo.pro.radio/wp1/news/exclusive-listen-to-previously-unreleased-track-little-scratch/', 0, 'post', '', 0),
(96, 1, '2020-03-05 19:50:13', '2020-03-05 19:50:13', 'The line-up for the industrial, EBM and synthpop festival E-tropolis in Turbinenhalle in Oberhausen, Ruhr, on March 28 is complete.\n\nFor the most part, though, people just happening to pass by the two-block campus during Public Practice sessions are at the best advantage to enjoy the notes in the air, mixing with the environment. “We organize it so that several musicians are playing concurrently, in different areas of the campus,” explains Ming Ng, director of Active Arts. “So, there is a ‘soundscape’ that is created as you walk from one musician to another.”\n\nLike exhibits in a museum, the participating musicians are set up with signs next to them, explaining who they are and what they are doing. Once in a while, people will stop to listen or to ask the musicians a quick question, but some don’t quite know what to make of the situation. “One man tried to drop a dollar into my saxophone case,” Oto recalls with a laugh.\n\nhttps://www.youtube.com/watch?v=FBAIXeXkQoA\n\nSince Public Practice is such a unique experience, it’s no wonder that the participants tend to create lasting bonds. The relationships begin outdoors on the Music Center campus, when one musician might stroll up to another to sight-read through some duos. At the end of the project everyone takes part in a group dinner and discussion, and the relationships often extend far beyond that day. The participants have found many benefits to “taking it outside,” but the best part, as both Price and Oto explain, is simply the opportunity to try something new with their music.', 'E-tropolis line-up complete', '', 'publish', 'closed', 'open', '', 'e-tropolis-line-up-complete', '', '', '2020-03-05 19:50:13', '2020-03-05 19:50:13', '', 0, 'https://demo.pro.radio/wp1/music/e-tropolis-line-up-complete/', 0, 'post', '', 0),
(97, 1, '2018-02-25 19:51:17', '2018-02-26 00:51:17', 'The Subways were kind enough to chronicle their North American tour for us, and we’ll be running their tour diary in several installments this week. Billy Lunn will be our guide, and as he writes, “Because so much usually ends up happening on our tours, we thought that this time round, whilst we’re on our exciting US/Canada tour, I’d keep a diary of all our happenings.\n<blockquote>As well as being a nice little insight for you guys into our daily lives, it’s also a nice way for me to recap and relive the days as they happen!</blockquote>\nCheck out entries for Days 6-10 below.\n\nEarly start today for a Converse live session, but it was a great excuse to get in a cab and see the sights of beautiful Boston. The wealth of redbrick buildings reminded us of the redbrick of Manchester in our own U.K., which adds a natural autumnal look to the city, and this wonderful quality was compounded by the blue skies and soft, orange sunlight! On our way we passed Harvard Business School on our right, and I wanted to take a detour over the bridge to Harvard Square in Cambridge so I could get a nice feel of what it’s like there. All of a sudden I felt pangs of wanting to study a postgraduate at a Boston uni after I finish my BA at Cambridge—assuming I graduate, of course! Haha! We didn’t take the detour; we like to be punctual!\n\n[gallery link=\"file\" columns=\"5\" ids=\"378,379,380,381,382\" orderby=\"rand\"]', 'The Subways Tour Diary: Days 6-10 the adventure continues', '', 'publish', 'closed', 'open', '', 'the-subways-tour-diary-days-6-10', '', '', '2018-02-25 19:51:17', '2018-02-26 00:51:17', '', 0, 'https://demo.pro.radio/wp1/news/the-subways-tour-diary-days-6-10/', 0, 'post', '', 0),
(98, 1, '2018-02-09 19:53:31', '2018-02-10 00:53:31', '<blockquote>We are the music makers, and we are the dreamers of dreams.</blockquote>\n[qtgallery id=\"458\"]\n\nWhat is that secret age-old productivity tool? Music.\nYep. The right music can help you stay focused and more productive. Here’s how:\nMusic Helps Boost Productivity on Repetitive Tasks\n\nResearch has shown that when presented with repetitive tasks, music can help make those tasks more enjoyable and boost productivity. In this study, for instance, assembly line workers reported feeling happier and experiencing higher efficiency while listening to music.\n\nStudies suggest that this is because music helps boost mood and therefore contributes to productivity. One study from Canadian researchers looked at this concept. What they found was that time-on-task was shorter — which means they got the work done quicker — and the quality of work performed was better when music was playing. Not only did those listening to music complete tasks faster, but they also came up with better, more creative ideas when the music was on.\n\nThis concept of mood can be further explained. Listening to music at your desk can help drown out other distracting noises like chatting coworkers, the buzz of the copy machine, and the clicks of other people typing around you. Placing earbuds in your ears to drown all that noise out — or even having music play over the office’s speakers — creates a more consistent and enjoyable environment that makes you feel more comfortable and relaxed in the space.\nThe New York Times further suggests that melodic tunes promote the release of dopamine, a feel-good chemical in the brain, which also contributes to that good mood and promotes a more productive working environment.\n\nAll of this suggests that music may be a valuable tool in boosting efficiency when performing mundane tasks, such as data entry or answering emails. Some suggest that when trying to focus on a complex task, music can be distracting – just as a noisy office may distract workers. But that doesn’t mean all music is bad for creative tasks. It’s just that the same type of music may not be appropriate in both situations. In fact, studies show that moderate levels of ambient noise can boost creativity, so you have to be conscious of what type of music is playing, and select it based on the task at hand.', 'Sounds of Superior Productivity', '', 'publish', 'closed', 'open', '', 'sounds-of-superior-productivity', '', '', '2018-02-09 19:53:31', '2018-02-10 00:53:31', '', 0, 'https://demo.pro.radio/wp1/news/sounds-of-superior-productivity/', 0, 'post', '', 0),
(99, 1, '2023-04-04 19:55:12', '2023-04-04 23:55:12', 'It wasn\'t until late 1994 that Everything But The Girl stormed the shores of terrestrial radio. For the next 2 years you couldn’t really escape EBTG. Not that I was actively trying to escape, it\'s just that...they were everywhere. Whether it was cascading across the charts, on the radio, nightclubs, or MTV – there was no escape. As it turned out, it was exactly the escape I was dreaming of.  As a musician, it created a fork in the road for me that I’ve been on ever since. Decades after their last album, Everything But The Girl has one in the can and it\'s right around the corner.\r\n\r\nI have to pinch myself that it’s been 24 years since their last album Tempermental was released. Imagine my surprise when Everything But The Girl confirmed details of their new 10-track album <a href=\"https://EBTG.lnk.to/Fuse-PreOrderWE\">Fuse</a>!  Maybe I’ve died and gone to heaven, unknown. What I do know is it\'s coming out on April 21, 2023 and it couldn’t have come at a better time. I was starting to settle into the idea I would never hear music from them ever again and kind of felt lost at sea over it.\r\n\r\nThe first two singles – <a href=\"https://EBTG.lnk.to/NothingLeftToLoseSR\">Nothing Left To Lose</a> and <a href=\"https://ebtg.lnk.to/CautionToTheWind/\">Caution To The Wind</a> are already out and are killing it. I’m actually listening to Caution to the Wind as I type these words.  And wait…there’s more!\r\n\r\nCheck out the video from <a href=\"https://www.imdb.com/name/nm3934419/\">Charlie Di Placido</a> (Kojey Radical, Jungle)...\r\n\r\n<a href=\"https://www.youtube.com/watch?v=M6QKZJeK-5w\">https://www.youtube.com/watch?v=M6QKZJeK-5w</a>\r\n\r\nIf the entire album is as good as these first two tracks, I’m afraid <a href=\"https://en.wikipedia.org/wiki/Ben_Watt\">Ben Watt</a> and <a href=\"https://en.wikipedia.org/wiki/Tracey_Thorn\">Tracey Thorn</a> have been able to do something no other band has been able to do...which is keeping the irons just as hot as they were almost 30 years ago. The production is exactly what I would have anticipated if EBTG would had released another album not long after Tempermental.\r\n\r\n<strong><em>Kiss me while the world decays, kiss me while the music plays…</em></strong>\r\n\r\nThorn’s voice is exactly as it was (maybe better) and her lyrics on Nothing Left To Lose and Caution To The Wind do that thing to me they’ve always done. Her overtones of loss, desire, desperation, longing, and hope are right there where they’ve always been.\r\n\r\nWatt’s choice of effects, drums, pads, piano stabs, vocal fx, sonic space, and layering…the porridge is just right. The sub-bass and breakbeat opener on Nothing Left To Lose takes me back to those endless hours spent in 90’s nightclubs. This track is ageless and has the 1996 album Walking Wounded written all over it.\r\n<blockquote><em>‘Ironically the finished sound of the new album was the last thing on our mind when we started in March 2021. Of course, we were aware of the pressures of such a long-awaited comeback, so we tried to begin instead in a spirit of open-minded playfulness, uncertain of the direction, receptive to invention’.</em>\r\n\r\n<em>-Tracey Thorn</em></blockquote>\r\nIn 2021 Thorn and Watt recorded in secret at a small riverside studio outside Bath with friend and engineer <a href=\"https://twitter.com/brunoellingham\">Bruno Ellingham</a>. Benn Watt explains the genesis of their recent work and capture what it’s like to start again...\r\n<blockquote><em>“It was exciting. A natural dynamism developed. We spoke in short-hand, and little looks, and co-wrote instinctively. It became more than the sum of our two selves. It just became Everything But The Girl on its own”</em>\r\n\r\n<em>-Ben Watt</em></blockquote>\r\nThe reforged studio partnership between Thorn and Watt organically created the album title. <span style=\"color: #4d4d4d;\"><strong><em>‘After so much time apart professionally, there was both a friction and a natural spark in the studio when we began’</em></strong></span>, says Thorn. <em><span style=\"color: #4d4d4d;\"><strong>‘However much we underplayed it at the start, it was like a fuse had been lit. And it ended in a kind of coalescence, an emotional fusion. It felt very real and alive’</strong></span>.</em>\r\n<h6>Everything But The Girl New Album Fuse is set for release on April 21, 2023 on <a href=\"https://buzzinfly.com/\">Buzzin’ Fly Records</a> through <a href=\"https://www.universalmusic.com/label/virgin-music-group/\">Virgin Music Group</a>, except North America, where it is released specifically on Buzzin’ Fly Records through Verve.</h6>\r\n&nbsp;', 'Everything But The Girl New Album: Fuse', '', 'publish', 'closed', 'open', '', 'everything-but-the-girl-new-album-fuse', '', '', '2023-04-05 12:42:36', '2023-04-05 16:42:36', '', 0, 'https://demo.pro.radio/wp1/news/practice-in-public-makes-perfect/', 0, 'post', '', 0),
(100, 1, '2018-03-03 19:57:46', '2018-03-04 00:57:46', 'At 9 p.m. on a Friday in February, Watson was standing outside of La Casa, a micro-church and community center — whose main chapel is the size of your parents\' spacious living room — nestled next to a tienda in Washington, D.C.\'s Mount Pleasant neighborhood. Inside, a hardcore punk band called Unknown Threat had just taken the stage.\n\nOf course, there was no actual stage. There was just the floor where the band set up at one end of the room, and the dozens of fans in attendance who stood everywhere the band wasn\'t and this is more or less what punk looks like. Once Unknown Threat hit its stride a few songs into its set, those standing closest to the band churned into motion, ricocheting off of one another and swinging arms wildly, seemingly unconcerned whether friend or foe caught a fist to the face.\n\nBut to Watson, who has performed in bands and booked shows in D.C. for years, the city\'s punk scene, at this moment, feels complacent. He says he has watched the scene he helped build lose urgency, at least at home.\n\nLooking at it from the outside, 2015 was a banner year for D.C\'s storied punk scene, which first rose to prominence in the early 1980s and has become an on-again, off-again fixture in the local music ecosystem. But at no point since those heady days of Bad Brains and Minor Threat has the local product been so talented, prolific and diverse. After years of being a primarily local concern, D.C. punk matters to the wider underground music world once again.\n\nBut that\'s the rub, Watson says. D.C.\'s punk scene broke nationally last year, with multiple bands releasing well-received albums, joining major tours and crossing international borders to play for punk contingencies abroad. More than a half-dozen new wave D.C. hardcore bands released albums or EPs last year, including scene stalwarts Pure Disgust, Red Death and Protester. Those three bands also toured the U.S. at various times, while Protester spent a week in Mexico in December. But while established bands rose in prominence as they performed around the country, some within the scene grew frustrated as momentum and enthusiasm at home lagged. When those established bands played gigs within the city limits, fans oftentimes stood with arms crossed and nodded along — not the ideal reaction to a genre that often inspires a hail of spin-kicks and stage dives from its audience. \"We just assumed it\'s because everyone is in the same bands. For most people it\'s like, if I\'ve seen one, I\'ve seen it all,\" Watson says. \"We played lackluster shows, attendance was low. People weren\'t having a lot of fun.\"', 'The State Of D.C. Hardcore', '', 'publish', 'closed', 'open', '', 'the-state-of-d-c-hardcore', '', '', '2018-03-03 19:57:46', '2018-03-04 00:57:46', '', 0, 'https://demo.pro.radio/wp1/news/the-state-of-d-c-hardcore/', 0, 'post', '', 0),
(101, 1, '2020-03-10 19:59:43', '2020-03-10 19:59:43', 'Like any music, jazz has its revolutions; its sudden incidents in infrastructure; its disruptive presences of unprecedented sound. Mostly it\'s slower than that, though, with years and generations of accretions before it seems to call for new vocabulary. That\'s one way to look at Winter Rockfest, whose latest incarnation occupied a dozen or so venues in downtown New York City last weekend. In a decade and a half of steady growth, a one-night showcase oriented toward industry insiders has become nearly a weeklong landmark of the city\'s cultural calendar.\n<blockquote>Without deviation from the norm, progress is not possible.</blockquote>\nWinter Rockfest\'s expansion has changed its aftertaste somewhat — this year\'s significantly greater geographic distribution spread out the festival\'s crowds across a wider swath of territory — but its model remains the same: more music than you can possibly see, by more musicians than you\'ve possibly heard of, in one general vicinity. It\'s especially apparent in the festival\'s signature happening, a two-night marathon of performances held on Friday and Saturday nights. For a city which could rightly be called a living jazz festival for the other 350-odd days of the year, the overload makes this particular lumpen aggregation an event.\n\nObscure and established, taproot and offshoot branch, the Winter Rockfest shines a broad spotlight. To represent that big tent, we asked several regular festivalgoers to pick one performance from the marathon that stuck with them. They\'re accompanied by photos of still more performances, shot by roaming photographer John Rogers. Here\'s what we took in at this year\'s festival.', 'THE LIGHT AND MUSIC EXPOSITION HITS LOS ANGELES IN THE FASHION WEEK', '', 'publish', 'closed', 'open', '', 'what-we-loved-at-winter-rockfest', '', '', '2020-03-10 19:59:43', '2020-03-10 19:59:43', '', 0, 'https://demo.pro.radio/wp1/highlights/what-we-loved-at-winter-rockfest/', 0, 'post', '', 0),
(103, 1, '2018-01-08 20:07:17', '2018-01-09 01:07:17', 'San Bernardino County Supervisor Janice Rutherford said Tuesday she will place an item on the May 24 board agenda calling for an end to rave-style events at the San Manuel Amphiteater in Devore.\n\nRutherford’s decision came amid continued and growing complaints from Devore and Crestline residents about excessive noise generated from electronic dance shows at the venue, mainly the Nocturnal Wonderland and Beyond Wonderland electronic dance shows, until the wee hours. Residents said the music is so loud it causes their windows to rattle and their walls to vibrate.\n\nIn addition to the noise, the concerts draw heavy traffic that traps residents in their homes and is a magnet for rampant drug use and drug sales, overdose deaths and public indecency, residents say.\n\nDuring an April 5 board meeting, Rutherford said dozens, if not hundreds, of residents have complained about the shows since they began at San Manuel Amphitheater in 2013, when the county entered into its contract with Live Nation Worldwide.\n\nThe dance shows were previously held at the National Orange Show Events Center in San Bernardino, but continued complaints of a similar nature from residents and business owners forced their relocation.\n\nDuring the April 5 Board of Supervisors meeting, Rutherford asked County Counsel Jean-Rene Basle how best to invoke the provision of the county’s contract with Live Nation allowing the county to terminate the contract should the dance shows become a public safety hazard or are subject to resident complaints due to noise or other nuisance behavior. Basle suggested that Rutherford put it before the board for a vote.', 'Southern California May Ban Rave-Style Events', '', 'publish', 'closed', 'open', '', 'southern-californias-san-bernardino-may-ban-rave-style-events', '', '', '2018-01-08 20:07:17', '2018-01-09 01:07:17', '', 0, 'https://demo.pro.radio/wp1/news/southern-californias-san-bernardino-may-ban-rave-style-events/', 0, 'post', '', 0),
(104, 1, '2018-01-18 20:08:10', '2018-01-19 01:08:10', 'Nightlife in Copenhagen is set for a heavy blow as one of the city\'s main clubs, Culture Box, will lose a substantial amount of funding from 2017.\n\nSince 2005, the Danish government has provided the club with €240,000 (1,800,000 Danish kroner) per year, but that\'ll end at the end of 2016. The club describes the planned cancellation of funding as a \"very hard blow\" as the money goes towards bookings and maintaining facilities.\n\nThe press release also reads: \"We are shocked that The State of Denmark has decided to remove the cultural support for the venue, and by that the support for electronic music culture.\"\n<blockquote>Some people have lives; some people have music.</blockquote>\nHouse and techno has had a heavy presence at the club since it opened, with the likes of Moritz von Oswald, Ellen Allien, DJ Koze and Nina Kraviz all playing.', 'Copenhagen Club Culture Box To Lose Government Funding', '', 'publish', 'closed', 'open', '', 'copenhagen-club-culture-box-to-lose-government-funding', '', '', '2018-01-18 20:08:10', '2018-01-19 01:08:10', '', 0, 'https://demo.pro.radio/wp1/news/copenhagen-club-culture-box-to-lose-government-funding/', 0, 'post', '', 0),
(105, 1, '2020-03-15 20:13:21', '2020-03-15 20:13:21', 'We had some truly stellar photos come out of our photographers this week, as they attended shows from Vance Joy, Ball Park Music, Matt Corby and Groovin The Moo sideshows, with the common theme being some amazing light shows.\nAs Forbes notes, in the missive, Sixx and bandmates James Michael and DJ Ashba implore YouTube to work harder to protect the rights of artists whose work frequently appears on the platform without proper payment, clearance or copyright, noting their own positions of privilege as successful musicians — and wanting to use that advantage for the benefit of smaller acts, in keeping with their history of artist advocacy.\n\n\"We recently completed our fourth album called Prayers For The Damned, in our singer/producer James Michael\'s recording studio,\" the band began. \"We are a lucky band, grateful to have all had success prior to the creation of Sixx:A.M.\n<blockquote>Music expresses that which cannot be put into words and that which cannot remain silent.</blockquote>\n\"Nikki came from Mötley Crüe, DJ played guitar in Guns N\' Roses for the past six years and James has had a successful career as a writer and producer. Releasing an album and being part of a tour going on sale allows us to use the promoters\' marketing money to create a larger platform to get our message out, and having a record company that generates publicity gives us an opportunity to speak up about issues we think are important — specifically the crisis with the music business and YouTube.\"\n\nThe band go on to recall the occasion on which they backed Taylor Swift \"when she spoke up about the absence of royalty payments to artists by Apple Music\", as well as explaining that the band has \"long been an advocate for new artists\", as evidenced by Sixx\'s predilection for featuring emerging acts on his radio show, before taking aim at Google (and its founders, Larry Page and Sergey Brin) for its payment strategies through the framework of comparing its annual revenue to that of the global music industry.', 'This Is What Live Music Looked Like Last Week', '', 'publish', 'closed', 'open', '', 'this-is-what-live-music-looked-like-last-week', '', '', '2020-03-15 20:13:21', '2020-03-15 20:13:21', '', 0, 'https://demo.pro.radio/wp1/music/this-is-what-live-music-looked-like-last-week/', 0, 'post', '', 0),
(106, 1, '2020-03-18 20:14:10', '2020-03-18 20:14:10', '<blockquote>One good thing about music, when it hits you, you feel no pain.</blockquote>\nLiverpool International Festival Of Psychedelia announces first wave of acts.\n\nThe next Liverpool International Festival Of Psychedelia will take place from 23–24 September. Now in its fifth year, the festival describes itself as a “pan-continental celebration of audio-futurists, operating at the bleeding edge of today’s psychedelic renaissance”.\n\nArtists on the bill include Super Furry Animals, Demdike Stare, Eartheater, Sliver Apples, Acid Mothers Temple, Ashtray Navigations, Taman Shud, Silver Waves, Cavern Of Anti-Matter, and more. Tokyo based label Guruguru Brain will also present Narrow Road To The Deep Mind, which promises to present some of ”the finest PZYK wunderkinds from across the Asian underground”.\n\nThe festival takes place at Camp And Furnace, Blade Factory Liverpool. Tickets are on sale now via the festival\'s website.', 'Psych Fest Announces Line-Up', '', 'publish', 'closed', 'open', '', 'psych-fest-announces-line-up', '', '', '2020-03-18 20:14:10', '2020-03-18 20:14:10', '', 0, 'https://demo.pro.radio/wp1/news/psych-fest-announces-line-up/', 0, 'post', '', 0);
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(108, 1, '2020-03-24 20:23:31', '2020-03-24 20:23:31', 'As festival season rapidly rolls in, we’re constantly being reminded of the continuing lack of diversity on our lineups. With a recent study indicating 86 per cent of the lineups of 12 major music festivals last year including Glastonbury, Reading and Leeds and Creamfields were male, it seems that the ears at the top are still unwilling to break up the boys club that makes up our live music industry.\n<blockquote>Without music, life would be a mistake.</blockquote>\nThat’s not to say the diversity – and demand – isn’t there. With collectives such as SIREN and Discwoman championing female talent in the electronic music scene, and artists such as Björk, Grimes and Kesha speaking out in defence of women’s rights in the industry, there’s never seemed a more appropriate time to shake up our lineups. One group unwilling to wait for the wider industry to take note is Sad Grrrls Club. Originally founded by Rachel Maria Cox as a record label and booking agency in order for them to support non-binary and female acts and challenge Australia’s male-dominated live music scene, Cox has grown the organisation from it’s DIY roots to fully fledged music festival taking place across two cities.\n\nInspired by the Riot Grrrl movement as well as Audrey Wollen’s Sad Girl Theory, Sad Grrrls Fest showcases bands and musicians that have at least one female or non-binary member. But are all-female lineups breaking down the gender divide, or widening it even further? Below we caught up with the festival’s founder to discuss safer space policies, reverse sexism and the power of expressing our emotions.', 'Does A Woman Help Progression In Music?', '', 'publish', 'closed', 'open', '', 'does-a-woman-dominated-line-up-help-progression-in-music', '', '', '2020-03-24 20:23:31', '2020-03-24 20:23:31', '', 0, 'https://demo.pro.radio/wp1/music/does-a-woman-dominated-line-up-help-progression-in-music/', 0, 'post', '', 0),
(268, 1, '2023-03-30 01:01:57', '2023-03-30 05:01:57', 'There is a quibbling case of verbal judo going on between songwriter/bass player Nikki Sixx from Mötley Crüe and drummer <a href=\"https://en.wikipedia.org/wiki/Vinny_Appice\">Carmine Appice</a> (Ozzy, Pink Floyd, Rod Stewart, King Kobra, Blue Murder). These strong allegations from guitarist Mick Mars himself, lay claim that Mötley Crüe live shows are for the most part, pre-recorded.\r\n\r\nDespite playing on the first leg of Mötley Crüe’s Stadium Tour with Def Leppard, once October rolled around Mick Mars decided to call it quits citing his painful struggle with Ankylosing Spondylitis. Ankylosing Spondylitis is a type of arthritis of the joints of the spine. Not going to lie, that sounds extremely uncomfortable.\r\n<h5>According to an interview with <span style=\"color: #ff0000;\"><a style=\"color: #ff0000;\" href=\"https://www.ultimate-guitar.com/news/interviews/mick_mars_wasnt_getting_along_with_mtley_cre_before_leaving_carmine_appice_claims_they_were_busy_trying_to_be_rock_stars.html\">Ultimate Guitar,</a> </span>when asked about Mars leaving the tour, Appice said...</h5>\r\n<blockquote><em>Well, I tell you what I\'ve been talking to Mick, and he told me, \'When I was on the Stadium Tour, I was not happy.\' Basically, everything was on tape; it was all planned out and ultimately a lot of crap. And Mick is a pretty good player, and so, to now let him loose and play the way he wants, that was never going to work for him. The truth is that everything has been weird for a while with Motley Crue, and Mick didn\'t like that everything was on tape. Mick told me that people that came to see it could tell that it was all pre-recorded and that everything was on tape.</em>\r\n\r\n<em>When you play in a stadium like that, you can hear a lot of things come to the monitors or what doesn\'t. And with Vince\'s vocals, bass, drums, guitars, and all the other stuff, it was obvious that it was all on tape. And Mick was pissed off and said, \'I can play these things. I want to play them. I don\'t want to make believe I\'m playing them.\' So, I think that\'s one of the reasons why he said, \'I\'m done.\' Sure, the disease that he has doesn\'t help, and it doesn\'t make life easy on tour, but Mick can play all the licks, and he was allowed to.</em></blockquote>\r\nApparently, this created a lot of stress for Mars and in turn created a rift between Mick and some other members of Mötley Crüe. Detailing why Mick Mars wasn\'t happy, Appice goes on to say that...\r\n<blockquote><em>No, he wasn\'t (happy). He had his own means of travel and would travel alone on a bus while the other guys flew everywhere. He said, \'Man, these guys are pissing their money away, flying to every gig.\' They were all busy still trying to be rock stars, and Mick just wanted to play the music. Mick wasn\'t interested in wasting time and money flying everywhere, so he traveled by bus. Their lifestyles are different than his, and so there were a lot of disagreements. I think he was just done. They were supposed to have done their last tour, and then they came back. Then they did the Stadium Tour, and that was apparently supposed to be the last. So, when they came back again, he said, \'You can do it. I\'m not going out with you for this.\'</em></blockquote>\r\nJohn Williams Lowrey, also known as <a href=\"https://en.wikipedia.org/wiki/John_5_(guitarist)\">John 5</a> has played in bands like David Lee Roth, Marilyn Manson, Zim Zum as well as Rob Zombie. John 5 left Rob Zombie and became the touring lead guitarist for Mötley Crüe replacing Mick Mars. When asked if John 5 was a good replacement, Appice said...\r\n<blockquote>He\'s a good player. But if they\'re on tape, it doesn\'t matter. It\'s sad because when Motley Crue first went out with Ozzy, they were smoking. I lived out in L.A., and I\'d see them perform on the Strip; they\'d walk in with their makeup, and they looked like the New York Dolls. A lot of people said, \'They\'ll never make it; that look is over.\' But a year later, they blew up and did it all themselves. They put their posters all over town, and they were selling out arenas quickly. Then they got a record deal with Tom Werman producing, and that\'s when Ozzy caught wind of them and asked them to open for us. At that point, they were really good.</blockquote>\r\nOnce Nikki got wind of the Appice interview,  Sixx was none too happy. Considering their past friendship, what Appice said didn\'t sit well with him, not in the slightest. Despite Appice being a known legend and influential for many famous drummers, Sixx showed no quarter in his tweets below.\r\n\r\nhttps://twitter.com/NikkiSixx/status/1636061307106627584\r\n\r\nhttps://twitter.com/NikkiSixx/status/1636079858337071104\r\n\r\nhttps://twitter.com/NikkiSixx/status/1636918244283150337\r\n\r\nCarmine Appice has been a long time friend to not only Mars, but also the entire band...\r\n<blockquote><em>I got to be friends with them all, and I used to hang out with Tommy [Lee] and Nikki [Sixx] all the time. They lived around the corner from where I lived, and we\'d go to breakfast all the time. And I used to go to Tommy\'s house with him when he was with Heather [Locklear]; we were good friends, too. I had a red Ford Pantera, and that\'s why Vince [Neal] got on, which is the car he crashed and killed Hanoi Rock\'s drummer in.</em>\r\n\r\n<em>So, yeah, I was good friends with all of them. I remember that when they did their second record, I lent them a bass drum of mine, which they used on the album. I went down to the studio while they were recording, and I realized that the bass sound that Tom Werman was getting was not that great, so I stepped in and lent them mine. In the end, it sounded great. I stayed in touch, but then, as they got bigger and bigger, things changed. But again, all of Tommy\'s tricks that he does, a lot of that came from me. He credited me for that, and I respect him for it. He became a good drummer. I watched him grow, and I watched him get huge. So, it\'s sad that we\'re not in touch anymore.</em></blockquote>\r\nWhat the motives of Carmine Appice are for doing such an interview, only he knows. Considering he was such close friends with Mötley Crüe in the past, I\'m sure there is an additional story there. A representative of Mick Mars\'s wrote that Mars decided to retire from touring due to health difficulties.\r\n\r\nDo you think Mötley Crüe are using pre-recorded shows in their live tours?', 'Are Mötley Crüe Live Shows Pre-Recorded?', '', 'publish', 'closed', 'open', '', 'are-motley-crue-shows-pre-recorded', '', '', '2023-03-30 10:54:58', '2023-03-30 14:54:58', '', 0, 'https://demo.pro.radio/wp1/music/the-complete-definition-of-the-music/', 0, 'post', '', 0),
(271, 1, '2018-02-21 16:52:23', '2018-02-21 21:52:23', 'Music is a big part of civilization. Centuries had passed but music survived and even grew to greater heights every single decade. As a matter of fact, the demand of music has been rising very steadily in the past 10 years and it will continue that way in the foreseeable future. It comes along with the big amount of revenue the music industry is currently getting year after year. It is an unstoppable force as people always look up for the next great artist around the corner, thus continuing the cycle and the relevance of music. The demand of music content is at an all time high. The global music revenue since the turn of the century has been steady. The currency is measured in billions.\n\nAs the technology grew, music got more technical, complex and in demand. Others take credit for using music they don\'t own. Nowadays, independent musicians are well aware of protecting their work for legal purposes. Through music licensing, you can be ensured of your asset/work being protected legally.\n\nWhat is music licensing? Music licensing is the licensed used for copyrighted music. This allows the owner of the music to maintain the copyright of their original work. It also ensures the owner of the musical work to be compensated if their music is being used by others. The music licensing companies has limited rights to use the work without separate agreements. In music licensing, you could get your work licensed in the form of music, composition and songwriting.\n\nDuring the music licensing process, there are terms that would be discussed by the groups involved. If you are an independent musician, you would be the licensor. You are the one responsible of the music created, thus you are the copyright owner of the licensed work. A licensee would be the music licensing company as they would be the one who will distribute your work to other industries. They will also collect the royalty fees as distribute them back to you if your music is included in live performances, TV shows, ads, campaigns, video games, etc.\n\nThere are also two kinds of contracts in music licensing, namely exclusive contract and non-exclusive contract. Exclusive contract means having your work licensed exclusively to a single music licensing company. Only a single company has the authority to distribute and market your work. If you signed an exclusive contract to your song or album, you cannot use the same music contents and get it signed by other music licensing companies. The agreement is exclusive and confidential to the licensor and the licensee.\n\nNon-exclusive contract allows a second party to distribute your work and it doesn\'t prohibit the licensor to sell their music to other music licensing companies or licensees. An independent musician can sign a non-exclusive contract to multiple companies using the same music content. Non-exclusive contracts are generally used to prevent an individual from being locked into a restrictive contract before their work gains popularity. This type of contract is designed to protect music artists from being taken advantage of in the early stages of their respective careers while on the process of getting their music out to larger audiences.\n\nThere are also cases which involves direct payment for used music content. This is called Sync Fees. Sync fee is a license granted by a holder of a copyrighted music to allow a licensee to synchronize music with visual media such as ads, films, TV shows, movie trailers, video games, etc. For example, a video producer is in dire need of music content for a certain project and is in a limited time of finding one.\n\nIn these cases, the artist and the music licensing company will be contacted directly for the possible use of the original work and negotiate the upfront payment involved. Sync fees can range from a few dollars to a couple of hundred dollars or up to thousands. The payment usually depends on how big and established a company is. If it is a well known company, there is a probability that the sync fee will spike up in value.\n\nWe need to understand that businesses nowadays are paying premium for music at an all time high. The influx and revenue generated on different industries are worth billions of dollars and the music artists who got their music licensed will get a big share of that money. The content of music is very important. Every single company need visual and audio content. You can\'t do ads, shows and movies without having any music content.\n\nMusic licensing brings compensation for assets used. This is called royalty fees. A royalty fee is the payment collected by one party from another for the ongoing use of a copyrighted asset. You can get compensated if your work is featured on live public performances. For every live use of your music, you get compensated as you own the copyright of your work.\n\nThe American Society of Composers, Authors and Publishers (ASCAP) has collected over $941 million dollars in licensing fees and distributed $827.7 million dollars in royalties to its members back in 2014. BMI on the other hand, collected more than $1.013 billion dollars in license fees and distributed over $877 million dollars in royalties to its members during the year 2015.\n\nMusic licensing is the modern way of earning through music. In the past few years, the physical sales had gone down. Streaming music has taken over because it\'s more convenient and practical with the help of the World Wide Web. With the rise of streaming sales, the figures that could be collected as royalty fees could spike up in the years coming. In fact, as stated in an Australian financial review website, streaming generated $2.5 billion dollars in US music sales last year, overtaking digital downloads as the industry\'s biggest source of music revenue. As stated in the picture below, the global streaming of music is projected to reach greater heights in terms of revenue in the upcoming years.\n\nThe internet contributed greatly for the rise of music licensing and streaming. 20 years ago, the distribution of music hasn\'t been exactly this big. Television shows and filmmakers are the top two industries that need music content. Today, there are more and more TV shows, films, commercials, movies, ads and tons of video games that need music content. It is safe to say that the internet opened the public eye about the opportunities involved behind it.\n\nOne of the most visited sites on earth is YouTube. People use, duplicate, rework, copy, revise and perform music from different artists around the world. It also has an influx of ads which contains music content. To track all these data, YouTube has a Content ID System. If your music is licensed, you can contact this site and they will take a look at their data and see if your work is being used by other parties. As the licensor, you have the authority to take actions such as mute the audio which matches your music, block a whole video from being viewed, track the video\'s viewership statistics or monetize the video by running ads against it. Every country has different rules about it. But YouTube runs a lot of ads and monetizing work from this site is very probable.\n\nIf you are an independent musician, you must improve and instill professionalism in your craft to get your chances up of being signed by a music licensing company. With billions of dollars of revenue involved today, you want at least a slice of the pie. Monetizing your passion is never easy but taking the necessary steps to make it work is a must to reach success.', 'How To License Your Music', '', 'publish', 'closed', 'open', '', 'how-to-license-your-music', '', '', '2018-02-21 16:52:23', '2018-02-21 21:52:23', '', 0, 'https://demo.pro.radio/wp1/news/how-to-license-your-music/', 0, 'post', '', 0),
(275, 1, '2023-02-05 16:53:23', '2023-02-05 21:53:23', '<div id=\"article-content\">\r\n\r\nIn taking your music journey to the next level, what is the best way in selling your music? Below are some pro-tips on how to keep you dreaming in the right direction.\r\n\r\nYou can never ignore selling your music online because there are a mountain of online stores and streaming services. Traversing the endless online music stores and streaming services seems like a complicated affair when choosing which way to go.<span class=\"Apple-converted-space\">  </span>You’ve put your heart and soul into your music so getting the most back sounds pretty good right?\r\n<blockquote><em><strong>No matter where you go, someone is take a slice out of your pie, it’s unavoidable. But what is avoidable, is how big the slice is...</strong></em></blockquote>\r\nThe most profitable way to sell your own music is by owning a website personally. With your own website there is no cut, you keep it all. Not only can you sell your own music, but you can also sell your own merchandise. The process can be simple or as hard as you want it to be. But fair warning, consumers always judge a book by its cover.\r\n\r\nWith that slice of the internet that’s completely yours you can control the narrative around your music. You’ll never need to rely on social media algorithms and trends to get your songs heard. Experts agree that fans of music prefer to buy directly from the artist and not from streaming giants. When you have your own website it not only gives you the power to sell your music directly, but also enables you to create a wider online presence. You control the content, you control the information, you distribute to your fans.\r\n\r\nControlling the direction of your music, your audience, your slice, what could go wrong?\r\n<blockquote><strong><em>A lot can go wrong actually. So much can go wrong that it can really take the wind out of your sales....</em></strong></blockquote>\r\nBuilding a professional website is extremely difficult. You can do a WIX site for a buck or whatever, but at the end of the day - it looks like it cost a buck. When someone lands on a great looking website they say to themselves, <em>this looks professional…these people are serious</em>. With everything in your life on top of making music, building a website that looks great with your own two hands is heading for a heartbreak.\r\n\r\nIf you\'ve never built a website before, development can really take a toll on you by causing frustration, loss of precious time and trapping you in a ticket hell. Once that’s over with, it’s out of the frying pan and into the fire because when you\'re ready to sell your own music, it feels like drinking a tall glass of hot water.\r\n\r\nHow do you even reach the audience? If there wasn’t enough hours in the day already, there isn’t going to be any free time now. Selling merchandise and not slicing out anything out is great, but again…the time you\'ll spend fumbling the bag will wear you down...staying creative has its limits. If you’re late getting orders out, you’re going to have problems...big problems Who’s even making your merchandise and how much are you losing before it even hits the street anyway?\r\n<blockquote><em><strong>At Slack Radio it\'s all hands on deck publishing your own music and helping you stay creative. We can help you do the work...</strong></em></blockquote>\r\nWe can provide what you\'ll  need on one page, you don’t need an entire site in the beginning. If you want to go that route, we can help. We can build most merchandise from top to bottom, ship it on time, and reach a wider audience with our own radio station, over a dozen live DJ\'s, artists, designers, and access to additional platforms.\r\n\r\nThe service we’re providing is completely unique, in-house, and innovative. And most of important of all, we\'re artists too. Slack Radio prides itself on being run by artists, not suits. You’re going to have an extremely hard time finding all of these services under one roof. 100% transparency is our mission here at Slack Radio, keeping pricing options competitive and affordable is our cornerstone.\r\n\r\nOur hassle-free experience is designed to motivate your creativity and keep you <em><strong>dreaming in the right direction.</strong></em>\r\n\r\n</div>', 'Dreaming In The Right Direction', '', 'publish', 'closed', 'open', '', 'dreaming-in-the-right-direction', '', '', '2023-03-29 21:41:07', '2023-03-30 01:41:07', '', 0, 'https://demo.pro.radio/wp1/news/music-economics-and-beyond/', 0, 'post', '', 0),
(279, 1, '2020-03-22 16:54:01', '2020-03-22 16:54:01', '<strong>How To Market Your Music More Effectively</strong>\n\nKnowing how to market your music is without a doubt THE most important thing you can do for your music business and your music career as a whole. You know it\'s something that must be handled and if you\'re not making efforts to learn how to market your music more effectively then you should know that, at the very least, nothing serious will ever happen in your music business career.\n\nThe first thing to ask yourself is whether or not you\'re currently managing the most basic elements of an effective music marketing campaign.\n\n<strong>What do I mean by this?</strong>\n\nTo begin it\'s important to assess where you\'re at right now and determine whether or not you know and understand exactly what the basic components of an effective music marketing campaign are? Let\'s face it, if you plan on making a name for yourself in the music industry it\'s important to realize you\'ll be investing a lot of your personal time and money into your music career. If you\'re certain your absolute goal is to mold your music talents into a true \"music business\" and you have no doubts about the career path you\'ve chosen... then you\'ll want to be as efficient and productive as you can possibly be.\n\nMost indie bands and musicians whether from the Rock, Hip Hop, Folk or any genre for that matter, tend to work on only one or two of the three essential requirements of effective music marketing. For instance most musicians are great at connecting with audiences. What with Facebook, Instagram, Twitter and YouTube in the mix, communications have become stupid simple for today\'s musician.\n\nOn the other hand, asking for the sale is occasionally handled effectively but tends to be approached hap-hazardly and without a formula or the necessary accompanying awareness campaigns. This lack-luster approach tends to dampen the efforts of even the hardest working bands and musicians in the industry. Unfortunately, applying only one or even two of these key components without the essential third element in a music marketing campaign won\'t bring in maximum returns for the time invested. This just isn\'t how to market music effectively.\n\nDon\'t get me wrong, getting your name out there and partaking in conversations with fans can be cool, even self gratifying and it\'s definitely better than not doing anything at all, but imagine how much more effective you\'d be if you went to work on all of these essential marketing aspects of your music business armed with a formula and a pin-point focused purpose.\n\nThe Solution To Ineffective Music Marketing\n\nThe bottom line is that when you break down the ins and outs on how to market your music effectively, it becomes apparent that as a musician, it\'s important to discipline yourself to focus on the elements that are most productive for your music business growth. Broken down in an easy to follow process these elements of music marketing and music promotion essentially consist of a 3 step formula:\n\nStep #1 - Create Awareness: Find an audience who appreciates your music style, your sound and your identity. Take the steps necessary to communicate your musical message to them. Everything you do should create an awareness for you and your music at all times. Approach this with precision and a firm direction and your music business foundation will be solidified for years to come.\n\nStep #2 - Connect with Your Audience: I mentioned earlier how stupid simple it is to connect with fans today. Instagram, Facebook, Twitter, YouTube and the many other online \"hangouts\" make this process a breeze. Once you\'ve laid the initial groundwork and you\'ve made your audience aware of exactly what you have to offer, work on maintaining those important on-going relationships with your fans, the media and the all important music business contacts you collect along the way. Your fans and contacts want to know that you\'re for real. That you care about them. That you\'re here for the long-haul. Making connections with them and keeping them involved in your growth process will ensure this happens for you.\n\nStep #3 - Sell Your Stuff (Ask for the sale): This one is essential. If you don\'t have products to sell... you DON\'T have a music business. Working to create a steady, consistent cash flow for your music business is paramount to your long-term success. Entice fans to spend their money and buy your stuff and the rest of your music marketing processes will flow and flourish so much easier.\n\nYes! It\'s Easier Said Than Done\n\nI recognize that it\'s easier to talk about these things than it is to make them happen in your career but this is what the music business is all about so incorporating these processes into your music business campaign is a must, or you simply won\'t last long enough to make dent in the music world.\n\nAnd that\'s not what we want for your music career... is it?\n\nAgain, it might seem easy enough to map these things out on paper but the truth is that most bands and musicians will find a hundred and one ways to screw this up.\n\nYou\'ll either spend too much time on creating awareness and connecting with your audience but then fail to ask for the sale. Or you\'ll ask for the sale way to often and forget about connecting with your people. I mentioned earlier that it\'s cool to get all gung-ho, get busy, and head on out there and do a bunch of music marketing, but if you\'re not touching all three elements of this process on how to market music, then you\'re missing the boat and more importantly... you\'re fans won\'t be \"feeling\" your vibe. They just won\'t connect with you on a deeper level. Without connection, there\'s no sales and without sales, you don\'t have a music business.\n\n[gallery link=\"file\" columns=\"5\" ids=\"334,335,336,337,338\"]', 'How To Market Music: An Effective No-Fail 3 Step Music Marketing Formula That Works', '', 'publish', 'closed', 'open', '', 'how-to-market-music-an-effective-no-fail-3-step-music-marketing-formula-that-works', '', '', '2020-03-22 16:54:01', '2020-03-22 16:54:01', '', 0, 'https://demo.pro.radio/wp1/world/how-to-market-music-an-effective-no-fail-3-step-music-marketing-formula-that-works/', 0, 'post', '', 0),
(282, 1, '2020-04-01 16:54:34', '2020-04-01 20:54:34', 'https://www.youtube.com/watch?v=eVCfp8WuAA0\n\nWhat do you believe is the number one thing that musicians are doing to ruin their chances at succeeding in the music industry? Is it: not practicing their instrument enough? Not putting together enough good music industry connections? Living in a city with no music scene? The answer to all of this is NO - none of these things. There can be countless reasons why a musician would fail to make it in the music industry, but the things above are merely symptoms of a deeper cause. In reality, the most common reason why musicians never succeed in this business is they have a FEAR based mindset.\n\nThe majority of musicians allow their fears to ruin their chances for succeeding in music. Some of these fears are understood consciously while others are only identifiable to someone who is looking for them.\nUnfortunately, whether you are aware of them or not, your fears can be very devastating to your music career. As one who mentors musicians on how to build a successful music career, I\'ve observed this endless times.\n\nThe following are some of the frequent fears that devastate musicians\' chances for becoming successful and how to overcome them so that you can quickly move your music career forward:\n\nMusician Fear #1: Fear Of Not Making Any Money\n\nAnytime you have told your friends or family that you want to become a professional musician, what have they told you? Probably something like this:\n\n*\"You\'ve got to get a safe job first in order to have a solid backup plan for your music career.\"\n\n*\"Musicians can\'t make a good living\"\n\n*\"All musicians have to play street corners for change just to get by\"\n\nIn most cases you are told these things out of the best intentions... However, these ideas are highly misguided. Truth is, it\'s not as hard as you might think to earn a good living in the music industry if you know specifically what to do to make money as a pro musician (and actually DO it). With this in mind, it\'s exactly because the above false beliefs about the music industry are so wide spread, that they cause many musicians to fear not being able to make money. They then do things that lead to the exact OPPOSITE of what is needed to earn a good living.\n\nThe following is how trying \'not\' to run into financial struggles in the music industry causes you to have difficulty making good money as a musician:\n\n*You never make the effort to earn a lot more money in your music career. The worst thing you can possibly do is expect that you\'ll struggle to make money as a musician. It\'s certain that when you do this, you begin to live into the world you\'ve created for yourself in your mind.\n\n*You take your music career in the WRONG direction. By expecting failure in terms of making good money, many musicians start thinking they\'ll be better off going to college to get a degree in a non-musical field, working at a \"secure\" job and THEN going after their music career dreams in their spare time. In the end, they almost always end up failing with this approach.\n\n*You eat the goose that lays golden eggs. Note: What is written below could seem like \"self-promotion,\" since I mention how I mentor musicians as an illustration of a critical point. Of course, there is a very important lesson for you to learn here, and my words are true regardless of whether I am selling something or not. The lesson for you here illustrates how merely being AFRAID of becoming broke causes you to forever remain broke as a musician, until you make a significant change.\n\nI occasionally receive messages from musicians who initially hesitated to join my music career training program or attend my music career money making event (where I show musicians how to easily make tons of money), because they are under the impression that they \"cannot afford it.\" Even after I take them through the overwhelming proof for how my programs have given HUGE results to the musicians I\'ve worked with, they still remain skeptical and fearful. This skepticism comes from the same false narratives described above - that all musicians will inevitably become broke and struggle, so there is no point in pursuing a music career. Ironically, by attempting to \"save\" a few bucks in the moment and passing on the training (that is PROVEN to get results) on how to develop a lucrative music career, you are ensuring that you will never make a big income with music. This is referred to as \"eating the goose that lays golden eggs\" because you decide to eat the goose now rather than wait for golden eggs to appear later. Rather than learning how to earn money in your music career and building toward the future, you give in to your fear... guaranteeing that you will never make progress to move your career to a higher level.\n\nHow To Keep This Fear From De-railing Your Music Career:\n\n1. Know that the belief that all musicians struggle to make money isn\'t true and it certainly does not have to be your reality. This realization alone will keep you from letting fear steer your music career away from the things you really want.\n\n2. Instead of being preoccupied with thoughts of how hard it will be to make money in music, take action to learn more about how to BECOME financially successful as a musician. There is a clear (and rudimentary) difference between these 2 mindsets and the ends that each one leads to are complete opposites.\n\nMusician Fear #2: Fear Of Not Succeeding In Your Music Career\n\nToo many musicians mess up their music careers by fearing that:\n\n*They aren\'t young enough to have a music career\n\n*They don\'t have enough talent to make it in music\n\n*They don\'t live in a big enough music city\n\n*They don\'t have a university degree in a musical field\n\n*Their musical style is not well known where they live\n\n*There are not enough serious musicians where they live who they can work with\n\n*If they fail, they will look dumb in front of all the people who they told about their musical dreams (friends, family, etc.)\n\nBesides the numerous reasons why these fears are irrational, know the following:\n\n1. What you believe becomes your reality. If you think you have a good excuse for why you simply can\'t become a successful musician (such as any of the things above), you will rationalize it and use it as a way to avoid advancing your music career. When you do this, you are GUARANTEED to fail at breaking into the music business. The other side of the coin is also true: if you believe that you are definitely going to become successful, and you are the master of your destiny, you will find a way to do whatever needs to get done to reach your goals. It\'s clear that the latter mindset has a massively higher rate of success (both in the music business and in everyday life).\n\n2. If you don\'t even attempt to grow a successful music career - you have failed. Even worse than this guarantee of 100% failure, is you are going to regret not taking action to do what you dreamed of with music when you look back at all the opportunities you missed.\n\nMusician Fear #3: Fear Of Becoming Successful In Your Music Career\n\nDoes it sound ridiculous to be afraid of becoming successful? It\'s not. While the above fear of \"failure\" is a frequent occurrence for musicians who are new to the music industry, the fear of \"becoming successful\" is common for more seasoned musicians who are close to making a major breakthrough in their music careers.\n\nThese musicians can easily self-destruct by worrying about how their lives will be different when they become successful, how others will view them, how difficult it will be to continue their success or believing below the surface that they do not truly \"deserve\" to be successful. This causes many musicians begin to intentionally sabotage themselves by NOT doing things they know are in their own best interest (such as joining bands, going on tour or getting the training that they know they need that will build their career).\n\nHow To Not Let Fear Of Failure (Or Success) De-rail Your Music Career:\n\n1. Understand that all the things you tell yourself about why you can\'t have a music career in your specific scenario are just stories you make up. You have MASSIVE potential for success as a musician (much more than you realize), regardless of how old you are, what your current musical background is or the location where you live.\n\n2. Think like highly successful musicians think. As I explained already, there is a basic difference between \"playing to WIN\" (in your music career) vs. playing \"not to lose\". Successful musicians play to win and they do not focus on \"avoiding fear\" - they focus on \"achieving success\"... and this is what you must do as well.\n\n3. Stack the deck of cards in your favor. You will drastically raise your odds of success in the music business (and beat your fear of failure), once you begin navigating the music industry without a blindfold on. Instead, quickly make progress by getting trained by a music career success mentor who has already helped many musicians achieve success in their music careers.\n\nMusician Fear #4: Fear Of Being Treated Unfairly By Music Companies, Promoters And Other Industry Executives\n\nThe music industry is filled with long winded stories from (failed) musicians who claim that someone in the music industry has lead them to fail because they forced them to sign a bad contract, refused to pay them enough money or \"screwed\" them in some other way. Stories like this make many musicians afraid of getting into any business deals in the music industry and sometimes keep them from even trying to pursue a music career.\n\nHere is a big music industry secret that no one will tell you that will turn this fear into potential for achieving success:\n\nIt\'s the COMPANIES who should have a fear of being taken advantage of by the MUSICIANS they work with. Fact is, most music companies are NOT out there to screw the musicians they work with. Instead, they are really HUNGRY for new talent, for \"everyone wins\" partnerships and for ways to best use their resources (with the help of musicians they hire) to help everyone involved prosper.\n\nAt the same time, these companies are also afraid of spending MASSIVE sums of money into musicians who:\n\n*Are emotionally or mentally unstable\n\n*Feel \"entitled\" to receive the company\'s money and resources simply because they may be good musicians\n\n*Are lazy and can\'t be depended upon\n\n*Do not help the company earn money in a way that is mutually beneficial\n\n... and a long list of other factors.\n\nTruth is, music companies invest tons of time, money and other resources into the musicians they work with. They have a lot more at stake than most of the musicians they work with do, so they have to be very careful about doing business with the right musicians. They are inclined to refuse to act against their own best interest by working with musicians who seem risky (as investments) or who ask for more money than they have earned.\n\nHow To Not Let This Fear De-rail Your Music Career:\n\nKnow that what you just learned is a huge inside tip into how the music business actually works and will make all the difference between success and failure. Rather than being afraid that music companies are out to screw musicians, understand that you have a great opportunity to put yourself light years ahead of the competition in the music industry. Here is what you need to do:\n\n*Know EXACTLY what people in the music industry look for in you (this extends way beyond your musical skills).\n\n*Gather the pieces of value you require to make yourself the best choice for the greatest music career opportunities.\n\n*Clearly display your value to the companies you want to work with by developing a rock-solid reputation for yourself as a risk-free musician who adds value for others.\n\nBy doing this, music companies will actively seek you out to give you the opportunities that other musicians never dreamed of.\n\nNow that you have a good understanding of what fears hold so many musicians back from developing their music careers, take mental note of your thoughts and beliefs around working in the music industry. Once you become aware of the fears that are keeping YOU back, take action to transform your mindset (utilizing the resources and tools mentioned throughout this article). When you do this, you will find that your fears dissolve away as your music career starts quickly going in the right direction.\n\nTo quickly begin building a successful music career, find a music career success mentor.\nAbout The Author:\nTom Hess is an electric guitar teacher online and a music career mentor. Tom also trains musicians on how to succeed in the music business. On his professional musician website tomhess.net you can read many more articles about making a living with a music career.', '4 Things That Kill Your Chances For Music Career Success', '', 'publish', 'closed', 'open', '', 'four-things-that-kill-your-chances-for-music-career-success', '', '', '2023-03-29 21:44:26', '2023-03-30 01:44:26', '', 0, 'https://demo.pro.radio/wp1/news/four-things-that-kill-your-chances-for-music-career-success/', 0, 'post', '', 0);
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(287, 1, '2020-03-27 16:55:29', '2020-03-27 20:55:29', 'Chances are, you are already ruining your potential to succeed in the music industry because you believe in one or more music career myths. How do I know? I am sent e-mail messages on a constant basis by tons of musicians (all seeking the answers to the WRONG questions). These are questions that may seem like good questions on the top level, but are really highly damaging questions that take them far away from their musical dreams.\n\nTo put together a successful career in music as soon as possible, you\'ve got to know the questions you do NOT need to be seeking answers to, and understand how to ask much higher quality questions that will put you on the right track toward reaching your music industry goals.\n\nThese are the 4 worst music career questions you should avoid asking in order to build a successful career as a professional musician:\n\nBad Music Career Question #1: Do I Have To Become A \'Starving Artist\'?\n\nA lot of people believe that making a living as a professional musician means one of two things: Either you \'make it\' and go on to tour the world and sell millions of albums or you \'become a starving artist\' and have to play at crappy bars and street corners just to get by. This music business myth makes sabotages people\'s careers from the start, either by making them believe they need to get full time jobs unrelated to music and \'try to do music on the side\', or be afraid of trying to enter the music business.\n\nFact is, the music business is made up of a large middle class and there are countless ways to earn a living. You\'d be surprised at how easy it is to make a good living in the music industry versus becoming successful in an outside field. However, before you will make a lot of money, you must stop asking low quality questions. Stop worrying about becoming a starving artist and start envisioning all the different ways you can make money as a musician.\n\nAs you work in the music business, you are not forced to live from one paycheck to the next like in a normal day job. Instead, it\'s always possible to be earning multiple sources of income at the same time. This makes becoming a professional musician a much more stable career choice since you don\'t have to be dependent on just ONE source of income. In addition to the obvious ways that musicians seek to make money in music (selling albums/downloads, playing live shows or recording as a session musician), there is one thing you can do right now that will quickly boost your music related income:\n\nStart growing a music teaching business. This will immediately produce multiple sources of income (your students) for you while you work much less than full time hours each week.\n\nWhen you build many sources of musical income as discussed above, it\'s very possible (and not as hard as you might think) to annually earn more than $100k in your music career (I know this, because I\'ve helped many musicians to do it).\n\nBad Music Career Question #2: How Do I Get A Recording Contract?\n\nIn order to understand why this is not a good questions to ask, answer this: \"Why should someone give YOU a recording contract?\" If you think it\'s because you write good music... try again. This is never a good enough reason for someone to sign you to a recording contract. No one is going to invest many thousands of dollars into you just because you can write good music. This would be WAY too risky of an investment (so much so that it doesn\'t even make sense). Imagine that you saved up $200,000, would you then go to a casino and put it all on the line for one spin of the roulette? OR would you instead invest it into someone who has proven that they can help you earn even more (at least at a smaller level)? No doubt, you would make the wise choice and invest it into someone who would help you make more money. This is how recording labels think. So stop wondering about how you can get signed to a recording contract and start turning yourself into a \'wise investment\' that any label would immediately see as valuable. This requires much more than writing great music, playing your instrument well or having a Facebook page.\n\nHere are the actions you should be taking to make yourself into a valuable investment for a record company:\n\n1. Understand what the music industry is looking for in musicians before they begin working with them.\n\n2. Work every day to build your music career. Record companies want to see that you have a good track record before they will begin working with you. The more things you do as an independent musician, the more likely it is that you will gain the interest of a record company.\n\n3. Get music industry training from a successful mentor who has already accomplished big things in the music industry and helped others get signed to recording contracts.\n\nOnce you begin developing your music career on your own, you will make yourself like a beacon of light and record companies will come searching for YOU!\n\nBad Music Career Question #3: How Can I Get My Music \'Heard\' By More People?\n\nThe majority of musicians want to get their music heard by as many people as possible, believing that this will help them earn money and become successful pro musicians. However, the quantity of people who listen to your music is not very significant in and of itself. What really matters is the amount of people you are able to turn into a highly dedicated fans who will do anything to support you and your music.\n\nStop asking yourself how to get more people to hear your music and start transforming anyone who is already your fan into a real FANATIC. Only After you have a strategy in place for turning \'casual fans\' into \'hardcore fanatics\' will the total number of people who hear your music begin to matter.\n\nBad Music Career Question #4: What Is The Best Music City To Move To?\n\nMany musicians think they will be much more likely to succeed in the music industry by moving to a \'music city\'. Then with this belief in mind, they pack up their things and move, believing that opportunities will simply \'fall into their lap\' once they arrive. Once they have been in their new location for a while and nothing has changed, they blame it on the city and look for a new location to move to (while being completely unaware of the TRUE reasons why they aren\'t successful).\n\nHere\'s the truth about \'location\' leading to success in the music industry: Your location has nothing to do with your ability to become a successful pro musician. This applies particularly today when it is easier than ever for someone to get a recording contract, put out music, organize world tours or work as a session musician regardless of where they live. Highly successful musicians do not become that way because they lived in one area rather than another. If that were true, there would be zero successful musicians living in cities that are not known for big music scenes. The principles that lead to developing a successful music career apply exactly the same regardless of where you live.\n\nRather than making the massive (wasted) effort of trying to research and find the best music scene, go through the following process that has been PROVEN to work for musicians:\n\n&nbsp;\n\nDetermine your specific musical goals.\nStart working together with a music business mentor to put together an effective strategy for reaching your musical goals.\nWork each day to get closer to achieving your goals until you reach them.\nWhen you focus on what is most important (using the process above), you will achieve success in your music career much faster.\n\nNow that you\'ve learned why many common music career questions actually steer your music career down the wrong path, here is what you need to do to get back onto the right path:\n\nStep 1. Think more in depth about your music career goals. Use the resources in this article to gain clarity about how the music industry works.\n\nStep 2. Start asking yourself high quality questions on a consistent basis when trying to figure out what you must do to reach your music career goals.\n\nStep 3. Don\'t build your music career alone. Get music business training to quickly achieve big things in the music industry.\nTom Hess is a recording artist, online guitar teacher and a music career mentor. He plays guitar for the band Rhapsody Of Fire. Visit his musician development website to become a better musician, get free music industry advice, music career tips and professional music industry advice.', '4 Questions About The Music Industry You Should NOT Be Asking', '', 'publish', 'closed', 'open', '', '4-questions-about-the-music-industry-you-should-not-be-asking', '', '', '2023-03-29 21:44:39', '2023-03-30 01:44:39', '', 0, 'https://demo.pro.radio/wp1/music/4-questions-about-the-music-industry-you-should-not-be-asking/', 0, 'post', '', 0),
(297, 1, '2020-03-21 16:58:34', '2020-03-21 16:58:34', '[gallery columns=\"4\" size=\"medium\" link=\"file\" ids=\"3804,3802,3801,3800,3799,3792,3793,3794\"]\n\n&nbsp;\n\nAs a bassist, bandleader, teacher, and music copyist, I\'ve worked with hundreds of singers throughout the years. Though working musicians know hundreds of tunes, singers need to have good charts in order to have their music played the way they want. I define a \"good chart\" as a piece of written music that effectively tells the musicians what they should play.\n\nWritten music comes in seven basic forms: chord charts, sheet music, songbooks, lead sheets, fake books, master rhythm charts and fully notated parts.\n\nAs a musician has a responsibility to play the chart before him correctly, the supplier of the chart has the responsibility of providing the right kind of chart. Knowing what type of chart to use for what kind of tune or gig is very important.\n\nThis article explains what the different types of charts are, and under what circumstances to use them. I hope you find it useful.\n\nTYPES OF EDM MUSIC\n\nCharts can be simple or elaborate according to the style of music and type of gig. Cover tunes are traditionally learned from recordings; classical and choral music can be found in sheet music stores as well as in various music catalogs; numerous tunes will be found in music books of all kinds; and many public libraries carry recordings and written music for your use.\n\nThe word \"chart\" refers to any piece of written music or any arrangement (music that has been adapted in a unique manner) of a tune. Decades ago it was strictly a \"cool\" slang term for a tune, but any piece of music could be called a chart these days, though a classical buff might not refer to a Mozart work as a \"chart.\"\n\nKnowing what type of chart to use for what kind of tune is very important. When you\'re playing a gig and someone hands you a chart -- it is what it is and you either read it well or not. But, if you buy charts, have them made for you or provide them yourself, you need to know which kinds to use for which situations. Years back, while doing singer showcases, singers brought in all kinds of charts: good ones, bad ones, incorrect ones, inappropriate ones, and it was a real pain. The singers who provided the right kinds of charts got their music played the way they wanted. The singers who had the wrong kinds of charts didn\'t, and weren\'t very happy about it. Unless a musician already knows the specific parts, he can only play according to what\'s on the chart before him. Though a good musician can improvise a good part in any style, if a specific musical line needs to be played, it needs to be written out.\n\nAs a musician has a responsibility to correctly play the chart before him, the supplier of the chart has the responsibility of providing an appropriate one.\n\nWithout getting into too many music notation specifics, here are the different kinds of charts and when they are used:\n\n1. HOUSE\n\nA chord chart contains the chords, meter (how the song is counted, e.g., in 4 or in 3 (like a waltz), and the form of the song (the exact order of the sections). This type of chart is primarily used when: 1. the specific musical parts are improvised or already known, but the form and chords need to be referred to, 2. to provide chords to improvise over, or 3. when a last-minute chart needs to be written, and there isn\'t time for anything more elaborate.\n\nA chord chart does not contain the melody or any specific instrumental parts to be played. To play from simple chord charts a musician basically needs to have steady time, know the chords, and improvise his part in whatever style the tune is in.\n\n2. TECH HOUSE\n\nSheet music is a store-bought version of a song printed by a publisher, which contains the instrumental part, chords, lyrics, melody and form. An instrumental piece will, of course, have just the music. Sheet music is written for both piano and guitar. Guitar sheet music is in standard notation (often classical), as well as in TAB. A good piece of sheet music will always say whether it\'s for piano or guitar. Most sheet music is not meant to be completely representative of the actual recording, and the actual arrangement that you\'ve heard on a recording is seldom present.\n\nMany people have experienced the frustration of getting the sheet music to a song they like, playing it, and discovering that the chords are different from the recording, and sometimes the form is too. Unfortunately that\'s the way it is a lot, and it could be for a number of different reasons. To get the exact arrangement and chords, you need to do a \"takedown\" of the song: learn it by ear. A takedown is when you listen to a piece of music and write it down. Takedowns can range from simple chord charts to elaborate orchestral parts or anything in between. In order to do good takedowns, you need to have good ears, understand and be fluid with music notation to the complexity of the type of music you\'re working with, and preferably understand music (the more the better). Having \"good ears\" consists of recognizing and understanding the music, whether heard on the radio, played by another musician, or heard in your head.\n\n3. DEEP HOUSE\n\nSongbooks are compilations of many tunes and often contain the same information that sheet music does, along with the chords and arrangement being different from the recording most of the time. Sheet music commonly has full introductions and endings, whereas songbook tunes are generally shortened to create space in the book for more tunes. Sheet music is generally written to be played on a keyboard, but songbooks come in different styles and for different instruments. They are compiled by artist, style, decade, and in various collections including movie themes, Broadway hits, etc.\n\nSongbooks are a good reference source when other, more exact charts are unavailable. For example: I needed two movie themes for a gig once (client request). Instead of spending $8 for two tunes of sheet music, I bought a book of movie themes for $16 that contained over a hundred tunes. Sheet music and songbooks are pretty unusable at gigs because of cumbersome page turns and bulkiness; but in an emergency you use them and do what you can. If having to use sheet music or songbooks for live performance, either: 1. recopy the tune onto 1-3 pages or 2. photocopy it and tape the pages together (although, strictly speaking, this may be considered copyright infringement). Make sure to always provide a copy for each musician.\n\nTo play from songbooks and sheet music, a musician needs to be able to read the music notation, or at least improvise a part from the chord symbols, i.e., a guitar strum, bass groove, piano groove, etc., or better yet, both. A vocalist can sing the words if they know the melody, or be able to read the notated melody if they don\'t know it.\n\n4. TECHNO\n\nLead sheets contain the chords, lyrics and melody line of the song and are mainly used by singers, accompanists and arrangers, though they appear on the bandstand now and again. Songwriters use lead sheets to copyright their songs, and very often sheet music includes a lead sheet of the tune as a condensed version to use. Instead of having three to six pages of sheet music to turn, a lead sheet is usually one or two pages long. Lead sheets do not contain any music notation except the melody and chords, so a musician needs to know how to improvise when reading from one. A lead sheet is generally written out by a music copyist, who is someone who specializes in preparing written music. Playing from lead sheets minimally requires playing an accompaniment from the chords and understanding the form directions and symbols (the markings telling you to go to the verse or the chorus or the end, etc.) and maximally having excellent accompaniment skills and reading notation fluidly.\n\n5. ELECTRO\n\nA fake book is a large book of tunes that contain only the melody line, lyrics and chords. There\'s no piano part, guitar part or bass part. That\'s why they call it a fake book. You have to already know your parts, or improvise them in the style of the tune. Some people call that \"faking it.\" Faking it means to be musically adept enough to be able to follow along by ear and figure it out as you go: that\'s one of the reasons for ear training. When a person\'s ears \"get trained\", they learn to recognize and understand the relationship of pitches and musical elements. With this understanding you can \"hear\" your way through tunes, even if you haven\'t heard them before, you fake it. However, when you don\'t hear so well, you\'re really faking it!\n\nBefore there was an abundance of legal fake books on the market, there was an abundance of illegal fake books on the streets. (As of this writing, I\'ve only seen a few at gigs.) Since a working musician needs to have access to a large number of tunes at gigs, musicians compiled books of hundreds of useful tunes containing only melody lines and chords. A working player doesn\'t need all the notes written out, because he can improvise, so large books were made with choice tunes. Some fake books are hand copied, either by a pro copyist or casually done with pen or pencil, while others consist of cut up sheet music where all the piano parts are removed, leaving the melody and chords, all for the purpose of condensing space.\n\nRather than take stacks of songbooks to gigs, you pop a fake book of hundreds of choice tunes into your gig bag and off you go. A tune taking up five or six pages in songbook/sheet music form can take up a page or less when rewritten by hand or cut up, leaving only the chords and melody. Fake books are often used and I\'ve seldom been at a casual where someone hasn\'t had at least one.\n\nThe reason the illegal books are illegal is copyright laws. With the homemade books, nothing goes through the publishing houses that own the rights to the tunes, so neither the publishers nor the composers get paid for their use. The Catch-22 over the years has been the fact that there weren\'t any good legal fake books that pro musicians could use at a gig. In a songbook of 200 tunes, maybe ten were usable. So, the players made their own, and gigging musicians lived happily ever after. But since making these books is illegal, some decades ago a few nationwide distributors were arrested and fined for copyright infringement. But you still see the illegal books on the bandstands, nonetheless.\n\nOver the years many legal fake books have been published and are very good. There are music books for: pop, jazz, rock, country, specific artists and movie themes, and there are special wedding books with all the key music that brides like. Big sheet music stores should have them all. And recently, some of the most popular illegal fake books have been made legal. (Hooray!) The 5th Edition Real Book is an example. Filled largely with jazz tunes, the book is in the original format, but published legally as the 6th Edition Real Book.\n\nLegal fake books are plentiful at sheet music stores, and illegal books... well, you\'re on your own. Trade magazines and music union papers often advertise a wide variety of music books as well as joke books, ethnic music and other related entertainment materials. Sometimes instrument stores carry fake books as well.\n\nFake books are good to have, but the more tunes a musician knows, the better.\n\n6. DEEP TECHNO\n\nMaster rhythm charts are charts designed for the rhythm section (piano, bass, guitar and drums). It is one chart that contains the general idea for everybody to play from: a sketch of the tune, a master copy of it all for each player. These charts are like elaborate chord charts with just enough specifics on them to make the music either feel and sound more like the original recording, or to provide just enough specifics to make it interesting and recognizable, leaving the rest to improvising.\n\nUnless a tune is composed or arranged in this style to begin with, which many are, these charts are written by someone doing a takedown from a recording, or created from lead sheets or songbooks. Whereas lead sheets are primarily for the singer, master rhythm charts are primarily for the musicians. When a singer provides charts to the musicians in the band, these are the usual ones to use.\n\nA master rhythm chart contains:\n\n• All the chords\n\n• Key rhythms (the main rhythms)\n\n• Key melodic parts for the instruments\n\n• Key lyrics for reference if desired\n\n• Key background vocals if present\n\n• Dynamics-how loud, how soft, etc.\n\n• Any form, clarifying instructions and symbols needed to ensure a good performance of the tune.\n\nAll styles of popular music use master rhythm charts, and it\'s common to have one along with a lead sheet for each tune when a singer is involved. Master rhythm chart reading, and writing, entails improvising fluidly in the style of the tune, and requires fluid notation reading abilities.\n\n7. CHILL OUT\n\nWhen the music needs to be extremely specific it will be fully notated. Everything that needs to be played is written on the page. What to play, when to play it and how to play it: the notes, rhythms, dynamics, and any and all notational expressions, such as tempos (how fast or slow), who cues what, etc. Most professional recording sessions and shows require fluid note reading and provide individual parts for each instrument.\n\nLYRIC SHEETS WITH CHORDS\n\nThough they are not written music, lyric sheets with chords deserve a mention.\n\nSingers who play an instrument often use lyric sheets with chord symbols written above the words. For a singer/musician these are very useful, and are often used. I\'ve used them myself.\n\nMusicians reading these charts, however, can do well if they are familiar with the song, but this leaves a very large margin for error. Very often the chords are over the wrong words, or the chords are wrong or incomplete: very dicey business. Musicians like specifics.\n\nMy students use these all the time, and there are a number of Internet sites with thousands of lyric sheets you can download. For certain situations they are very handy!\n\n[gallery link=\"file\" columns=\"7\" ids=\"303,304,305,306,307,308,309\"]', 'The 7 Different Types of EDM Music', '', 'publish', 'closed', 'open', '', 'the-seven-different-types-of-written-music', '', '', '2020-03-21 16:58:34', '2020-03-21 16:58:34', '', 0, 'https://demo.pro.radio/wp1/music/the-seven-different-types-of-written-music/', 0, 'post', '', 0),
(299, 1, '2018-02-21 16:59:20', '2018-02-21 21:59:20', 'Have you been thinking about starting a career in music for a while, but are not sure what you must do to begin? If the answer is \"yes,\" then you are certainly not alone. In fact, this is a common problem for almost every musician who wants to start a career in music and become a professional in the music industry. That said, the majority of musicians become frustrated due to a lack of knowledge for the industry and give up on their dreams to pursue \"stable\" non-music careers. Fortunately, it does not have to end the same way for you.\n\nThe key to starting a career in music and becoming successful is finding a great mentor who has already reached the highest level of success in the music industry. In most cases, simply being around someone in the music business who knows a lot more than you is highly beneficial. That said, if you are able to not only be \'around\' someone like this, but also receive direct advice from them about your own music career challenges, your potential success as a professional musician will increase MASSIVELY!\n\nTo show you what I mean, think about the world famous basketball star Michael Jordan. Even if you are not a basketball fan, it is likely that you have heard of the incredible success that Jordan achieved throughout his career. Over the span of about two decades, Jordan became known as one of the best athletes ever (in any sport) as he broke countless records, won many championships, and made A LOT of money from his player salary (not to mention through endorsements, shoe sales, and other means). By himself, Jordan was certainly a very talented athlete; however, he did not make it to the top alone. In every moment of his legendary career, Jordan continually received the advice, coaching and training of many mentors both within basketball and outside of basketball. As a result, he was able to take the incredible natural ability he had to play and turn it into something truly unforgettable. In fact, this situation is not exclusive to Michael Jordan, any athlete who has ever achieved incredible success has always maintained connection to a mentor even after winning major titles, awards or medals.\n\nSimilar to Michael Jordan, if you are starting a career in music, it is absolutely essential that you find a great coach, trainer or mentor who can help you leverage your natural abilities so you can achieve the highest possible success in your music career. To make the process for choosing a mentor much easier for you, I have written down the top 3 traits that your mentor should possess in order to help you start and maintain a successful career in music:\n\n1. Is already highly successful in the music business, and is able to help you solve any problems that get in the way of your music career goals.\n\nStarting a career in music is often a very frustrating experience for most musicians. Although there is a great deal of information about the music business online; most of it is intended for use by the general music community. As a result, you may have specific questions for your own challenges in your music career, but no specific answers to help you deal with them. On top of that, the music industry information you find online does not help you understand the difference between \'useful\' information, and information that either no longer applies to most musicians or does not apply for you in your own music career. This is why it is absolutely essential that you find a mentor who understands the inner workings of the music industry and has already built a successful career by figuring these things out.\n\nWhen you have access to personalized advice from someone like this, you will quickly be able to solve any issues that arise in your music career. This will give you the ability to approach a career in music with a clear understanding of exactly what needs to get done in order to reach your personal goals.\n\n2. Has already helped many other musicians reach their highest music career goals (and has proof of this!).\n\nIn order to build a career in music, you will not need to complete any university program, become \"certified\", or take any mandatory testing. This is something that sets the music industry apart from other industries. That said, it is very easy for amateur musicians to make claims of expertise when the reality is that they have not really achieved anything significant in their own career. It is very important that your music mentor is able to give you reliable, accurate and helpful advice that is truly effective for building a successful career in music.\n\nA reliable method for determining whether or not a mentor can really help you in your music career is to observe the success of the musicians who he currently works with or who have worked with him in the past. A mentor who can truly help you succeed with a career in music will not necessarily need to tell you this directly. Instead, it will be obvious due to the overwhelming amount of positive feedback he receives from current (or past) musicians who have worked with this mentor and become successful in music. In the music business, a positive reputation takes a very long time to build. If you find a mentor with a reputation of getting big results for many musicians, then the chances are very good that he can do the same for you. Make sure to check for this by looking for reviews, testimonials or general feedback on your mentor\'s website or other places online.\n\nAs someone who has personally trained many people to become successful professional musicians, I cannot stress enough the importance of finding a mentor as you pursue a career in music. Fact is, I would not be where I am today in the music business if it weren\'t for the help of my current and former mentors. Don\'t make the mistake of trying to figure everything out on your own in the music business. This is the same thing that so many musicians do, and this is why most musicians DO NOT make it with successful music careers. Get the training, coaching and guidance a great mentor right now, and reach your full potential as a professional musician.\n\n3. Has the ability to pay attention to the small details of your music career while also helping you to stay on track toward your larger, long term goals.\n\nFor many musicians, one of the greatest challenges is to stay on track toward their long term music career goals. These musicians will often become distracted by things that do not truly matter for their success, and will spend too much time on unimportant details or activities. Most commonly, it is thought that developing a successful career in music requires great musical skills. Although it is important to improve your musical skills, your success as a professional musician involves many more factors. It is important that you create an effective strategy for reach your goals in music, and stay focused on seeing it through. One of the worst things that could happen to you (I see this all the time!) is that you invest many years of your life into music, only to fail because you did not pursue what TRULY mattered.\n\nWhen looking for your mentor, you must make sure that this person understands how to build highly effective strategies to help you achieve your music career goals as quickly as possible. With that in mind, it is possible that even with the right strategy in place, you may still become distracted, confused or uncertain throughout the course of your music career. Your mentor should also be able to instantly spot when these things are occurring for you and know how to help you overcome any momentary issues so that you can continue down the path to your goals.\nTom Hess is an online guitar teacher, music career mentor and the guitar player in the band Rhapsody Of Fire. He trains and mentors from all over the world on how to develop a successful career in music. Take this music career coach assessment to see if working with a music career mentor is the right move for you.', 'How To Make It In Music With The Training Of A Mentor', '', 'publish', 'closed', 'open', '', 'how-to-make-it-in-music-with-the-training-of-a-mentor', '', '', '2018-02-21 16:59:20', '2018-02-21 21:59:20', '', 0, 'https://demo.pro.radio/wp1/news/how-to-make-it-in-music-with-the-training-of-a-mentor/', 0, 'post', '', 0),
(327, 1, '2018-02-26 10:17:53', '2018-02-26 15:17:53', '[embed]https://youtu.be/F82W3tKtr8c[/embed]\n\nYou are about to learn the five critical elements that have fueled the success of all great musicians\' careers. Until you possess these key elements for yourself, it will be nearly impossible for you to reach your musical dreams and build a successful career in the music business.\n\nRead below to discover these five key elements and take action on the information you learn:\n\nMusic Career Success Key #1 - Don\'t Set Realistic Goals\n\nAll of the most well-known and successful musicians did not achieve their goals by thinking realistically about what seemed possible. On the contrary, they focused their mind like a laser ONLY on what they truly wanted. When you make your goals in line with the things you want most, you will be much more motivated to actually achieve them. More on this in a moment...\n\nThink about this - out of the following choices, which choice would inspire you to put all your time and energy into growing a music career?:\n\nMaking a recording of a demo with a band and possibly playing a few shows around town.\n\nWriting chart topping songs for a killer band, then promoting your music by going on a massive world tour - playing to stadiums full of fans, earning tons of money from music sales alone and never working a regular job ever again.\nEven if your goals in the music business are entirely unrelated to releasing music, the point still applies: don\'t let yourself accept anything less than what you truly want in your music career, just for the sake of being realistic. Life is too precious to live it by not doing the things you really desire. When you set goals for yourself that do not inspire you, it is nearly guaranteed that you will NEVER achieve the things you truly desire in music.\n\nAll the biggest rock stars are people just like you. They began small - whether it was broke without any idea how they\'d make it in music, lacking in musical talent or not having a band to play with... Just imagine where they would be now, if they would have told themselves that their music career dreams were unrealistic or didn\'t seem possible. Well, of course they didn\'t... they followed their dreams and went on to achieve them!\n\nYou must do what they did. Start building your music career by focusing on what you WANT, not what seems possible.\n\nMusic Career Success Key #2 - Manifest Your Musical Dreams Into Reality Before They Actually Are Reality\n\nMusicians who never achieve anything significant in this industry, build paths to their goals by starting from where they are in the present moment.\n\nOn the other hand, musicians who achieve great success do something completely different. They plan their music career by beginning from the end point of achieving their goals, and work backwards to the present day. They imagine themselves having already accomplished their major goals, then build their lives around this vision. This is a much more effective way of accurately determining the actions required for putting together your music career.\n\nMusic Career Success Key #3 - Start Living Or Start Dying\n\nThe two keys I mentioned above are critical for building a successful music career. With this in mind, you need more than just goals and a plan of action to realize your musical dreams. You have to take action each and every day to bring yourself closer to your goals. You might think this is common knowledge, but you would be shocked at how many musicians give up on their musical dreams simply due to lack of effort (in terms of taking physical action).\n\nVisualize this scenario (I use this as inspiration for the professional musicians whom I mentor): You\'ve just found out about a disease you contracted that requires major surgery. If you don\'t get this surgery, you are guaranteed to die in no more than half a year. To make matters worse, the surgery is extremely expensive and cannot be covered by your insurance company (also you can\'t borrow money to pay for it). So you have a decision to make: You can allow yourself to die, OR you can take whatever action is necessary to get the money needed for the surgery.\n\nCertainly this example is extreme, but it is a perfect illustration of the kind of mindset you need to have in order to build a successful music career. Making big moves (by taking action) in your music career is completely different than sitting around waiting for things to happen for you (allowing yourself to \'die\').\n\nWith this in mind, hard work/consistent action does not necessarily equal music career success, when you don\'t know exactly what you should be doing to reach your goals.\n\nMusic Career Success Key #4 - Have MASSIVE Reasons For Achieving Your Musical Goals\n\nNo matter what you do, something will always go wrong in your music career plans. Whenever you are faced with unexpected events in your music career, this is the time when your commitment will be put to the test. For instance, here are some challenging situations you could face:\n\nWorking at a day job you hate while regretting the fact that you never developed a music career backup plan to help you make a living doing what you love.\nPlaying at crappy bars all the time with your band because you don\'t know how to move to bigger venues.\nTrying to record an album, but doing so at an extremely slow and frustrating pace because you never practiced developing your recording skills.\nWorking with unmotivated band members who are bringing you (and the entire band) down.\nNot understanding how to attract more music fans to listen to the music you worked so hard to create.\nHere is what you need to do in order to maintain your commitment and dedication to achieving your music career goals:\n\nTake out the piece of paper you have that contains the list of your written goals (that you put together in key #1 above). Then beside each one write down the big REASONS you have for pursuing them. For every musical goal you have, answer this question: \"Why do I want to achieve this?\" Spend a lot of time thinking about this for each goal before you write down your response, and look over your goals/reasons two times every day.\n\nWhen you do this, you\'ll develop the ability to maintain motivation and stay focused on the major reasons you have for reaching your goals. This will help you move forward in the difficult times when your dedication is put to the test.\n\nMusic Career Success Key #5 - Don\'t Try To Build Your Music Career Blindfolded\n\nOnce you are in possession of all 4 keys mentioned above, it\'s still possible that your music career will go nowhere. This occurs when you lack certainty about what to do to achieve success, are (unknowingly) sabotaging yourself or lack effective strategies to help you reach your musical goals. The last key required for building your successful career in the music industry is to train with a mentor who has experience helping musicians take their careers to the highest level.\n\nA truly effective mentor will not simply tell you what you need to be doing in order to succeed in the music business. He will help you utilize all of the strengths you built while developing the first four keys and will keep you heading down the right path toward success, while preventing you from making the same mistakes that unsuccessful musicians make. Without this kind of training, you are essentially trying to build your music career with a blindfold on - completely oblivious to the best ways to succeed using your current skills and knowledge.\n\nNow that you\'ve learned the five keys that build the foundation of a successful music career, these are the steps you should take right now:\n\n1. Focus on getting all the missing keys you do not currently possess.\n\n2. Being working with an experienced music career mentor to quickly achieve your greatest musical goals.\nTom Hess is a music career mentor, touring musician and guitarist. He teaches online guitar lessons to musicians all over the world and mentors musicians on how to build a successful music career. Visit his website for music instruction to get many free musician resources to help you start a career in music and learn about the music industry.', 'The 5 Elements Needed For Music Industry Success', '', 'publish', 'closed', 'open', '', 'the-5-elements-needed-for-music-industry-success', '', '', '2018-02-26 10:17:53', '2018-02-26 15:17:53', '', 0, 'https://demo.pro.radio/wp1/music/the-5-elements-needed-for-music-industry-success/', 0, 'post', '', 0),
(347, 1, '2018-01-23 10:34:06', '2018-01-23 15:34:06', 'https://www.youtube.com/watch?v=HuAxVfZasUk\n\nA great gift to music entered into the world on 23 February 1685 in Halle, Germany. A life of great musical interest; one filled with an unbelievable talent that would become a beacon to many throughout the European continent and span centuries past its lifetime. It is a life that would become centered around a great mystery of how the musical talent would blossom into a recognized and celebrated gift; a life that would alter the musical landscape and the spiritual worship realm in a short 24 days, and a life that would become so influential that it would dictate musical compositions for many years afterwards.\n\nA musical life that in the beginning would find itself struggling to exist; a life that will be forever known in George Frideric Handel. It is through Handel that we credit many great musical accomplishments; accomplishments in the mixture of homophonic and polyphonic textures, through the creation of his own unique works through the process of combining German, Italian, French, and English musical traditions into his highly successful English Oratorios. And most importantly through the lasting effects of Handel\'s single greatest gift to the world, and the world of music: The Messiah. But how does the work of this single musician leave such a strong impression on the music that we have today? What could possibly make the music of Handel something that would be hailed as electric, memorable, unique, and even cutting edge? And most importantly how could one person alter the musical idiom through a single twenty-four day creation of a setting of Christ\'s life? Through these questions I will explore Handel\'s impact on music in a way that shed\'s light onto the significance of Handel as a musician, a teacher, and inventor and as a religious preserver. It is with Handel that we credit a great deal of musical advancement.\n\nAdversity in Handel\'s life was something that he encountered early on in life. At an early age Handel found himself faced with a father that did not support a career in music, in fact his father was a person that greatly hated music; noting that it was a pastime that served the sole purpose of casting a light on the weakness of character found within a person. It was his father that wished he would strive to obtain a career as a lawyer, a position that would come with a great deal of security in position and financial stability. This was something that Handel himself would have to come to terms with, because he himself was born with \"signs of a fierce ambition, born of an awareness of his superiority as a musician, and with a determination to maintain his independence.\" This determination to advance his musical skill became a task that took a great deal of hard work and convincing; though it was Handel\'s mother that provided access to a clavichord hidden in the family\'s attic. The hours spent hiding from his father in the attic, covering the strings of the clavichord with cloth to dampen the sound, allowed young George the time to practice his musical development and eventually the knowledge of how to play both the clavichord and the organ. This early study is most likely what saved the musical career for Handel, because it was during the time stuck in the attic that a young Duke passing by heard young George playing in the attic and was so moved by what he heard, that he stopped to listen. After hearing young George play the organ, the Duke pleaded with George\'s father to allow him to travel to Berlin and begin to take music lessons. The young Handel began taking lessons at the age of eight, and was easily able to conquer learning the violin, composition and theory techniques, harpsichord, and reinforce the organ playing skills. By the age of 11, there seemed little that any music teacher could teach George; it was at this point that George\'s father began angry and again expressed his desire for George to cease playing in the music, and to return home and do as he wished. Handel at the request of his father did in fact return home, only to arrive at his father\'s deathbed. This was a dark period of struggle for the young Handel, compelled to honor his father\'s wishes, George decided that it was best to keep to his studies in law; though during this same time he continued to also sharpen the musical skills that he knew he possessed. It was during this time that Handel began to write cantatas for the various churches that he was serving in as an organist. It was the service in music that called out to Handel, and by the time he reached the age of eighteen, Handel had realized that it was in fact his destiny to become a great musician noting that he was destined to improve his musical abilities and his knowledge of music.[...]\n', 'Handel: A Musical Life of Devotion', '', 'publish', 'closed', 'open', '', 'handel-a-musical-life-of-devotion-2', '', '', '2018-01-23 10:34:06', '2018-01-23 15:34:06', '', 0, 'https://demo.pro.radio/wp1/news/handel-a-musical-life-of-devotion-2/', 0, 'post', '', 0),
(363, 1, '2018-01-16 10:45:08', '2018-01-16 15:45:08', 'https://www.youtube.com/watch?v=0EBTn_3DBYo\n\nThe 90s undoubtedly marked the Golden Age of underground music zines cataloguing subcultural movements. Without an avalanche of Tumblr accounts offering endless information on what your favourite band is wearing, Soundcloud recommendations about who to listen to next, or Twitter documenting your most-loved guitar player’s childhood fear, publications such as the pioneering DIY zine Sniffin’ Glue and groupie-focused Star found their way into the eager hands of music fans around the world. To celebrate a simpler time, here is our rundown of the five most iconic underground zines you might not have heard of, and where you can read them.\n\nStarting off this list with the OG of all zines, Sniffin’ Glue was the first publication to chronicle punk from an insider’s point of view. Created in the UK in 1976, right after editor Mark Perry (who was a bank clerk at the time) watched a Ramones concert, Sniffin’ Glue’s haphazard DIY style, with felt-tip titles, shabby grammar, swear words and informal writing paved the way for the many punk zines that followed. Submitting to the movement’s idea of creating your own culture and rejecting the old, it did not subscribe to any traditional forms of publishing, and in fact was closed down after only 14 issues due to fear of becoming incorporated into the mainstream music press. Unfortunately, it is not catalogued online – but if you’re London-based, you can check out the full archive at the London College of Communication’s zine library.\n\nConsidered scandalous at the time, 1973’s LA-based Star magazine was aimed at teenage girls and chronicled the lives of the decade’s most iconic groupies, from Sable Starr to the hyper-controversial Sunset Strip “baby groupies”. With a manifesto that could almost be called feminist, the first issue opened riddled with angry letters from teachers and parents – one of them surprised the magazine “didn’t come wrapped in plain brown paper” as a porn magazine would – to which the editorial team answered: “How about letting Arkansas’ girls decide about Star?” It even featured a commentator that could’ve come straight from 2016, who stated that men like him don’t like this “Women’s Lib baloney” that the magazine advocates. Referring to their readers as Foxy Ladies (also a name used for baby groupies), Star never undermined their pheromone-ridden teen readers, and featured plenty of pictures of a young Mick Jagger, alongside comic strips of fantasy scenarios, for example where a fan dresses up as glam rock icon Marc Bolan to get backstage. With five printed issues painstakingly collected and digitalized, you can access the whole archive here.', 'The Music That Immortalised 90s Subculture with electronic technologies', '', 'publish', 'closed', 'open', '', 'the-music-that-immortalised-90s-subculture', '', '', '2018-01-16 10:45:08', '2018-01-16 15:45:08', '', 0, 'https://demo.pro.radio/wp1/music/the-music-that-immortalised-90s-subculture/', 0, 'post', '', 0);
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(421, 1, '2020-04-02 13:46:22', '2020-04-02 17:46:22', 'https://www.youtube.com/watch?v=UtF6Jej8yb4\n\nHave you ever wondered how your favorite musicians make such great music? The answer is this: They fully understand how musical emotion works, and how to use this to create intense emotions in YOU while you listen to them. Understanding musical expression is key to becoming a great guitar player and musician. When you control emotion in music, you will gain the power to greatly affect the listener\'s experience.\n\nMost guitarists want to be able to express themselves better with their guitar playing; however, the majority of guitar players have no idea how to actually practice this skill. This leads to a lot of time being wasted on practicing guitar in a way that does not produce big results. The solution to this problem is to develop a more accurate fundamental understanding of how to develop creativity in music.\n\nMany guitar players try to enhance their musical creativity skills by searching the music of their favorite bands for cool riffs and guitar ideas and playing them over and over. This is certainly an enjoyable activity to do when playing guitar, but in reality it does not do very much to help you to learn musical expression. If you spend a great deal of time on this, you will be missing out on the two most critical parts of being able to create emotion in music.', 'How To Gain The Power To Create Musical Emotion', '', 'publish', 'closed', 'open', '', 'how-to-gain-the-power-to-create-musical-emotion', '', '', '2023-03-29 21:44:17', '2023-03-30 01:44:17', '', 0, 'https://demo.pro.radio/wp1/world/how-to-gain-the-power-to-create-musical-emotion/', 0, 'post', '', 0),
(443, 1, '2020-03-26 14:05:18', '2020-03-26 14:05:18', 'https://www.youtube.com/watch?v=tfh8ynYS7X4\n\nMultiple studies link music study to academic achievement. But what is it about serious music training that seems to correlate with outsize success in other fields?\n\nThe connection isn’t a coincidence. I know because I asked. I put the question to top-flight professionals in industries from tech to finance to media, all of whom had serious (if often little-known) past lives as musicians. Almost all made a connection between their music training and their professional achievements.\n\nThe phenomenon extends beyond the math-music association. Strikingly, many high achievers told me music opened up the pathways to creative thinking. And their experiences suggest that music training sharpens other qualities: Collaboration. The ability to listen. A way of thinking that weaves together disparate ideas. The power to focus on the present and the future simultaneously.\n\nWill your school music program turn your kid into a Paul Allen, the billionaire co-founder of Microsoft (guitar)? Or a Woody Allen (clarinet)? Probably not. These are singular achievers. But the way these and other visionaries I spoke to process music is intriguing. As is the way many of them apply music’s lessons of focus and discipline into new ways of thinking and communicating — even problem solving.\n\nLook carefully and you’ll find musicians at the top of almost any industry. Woody Allen performs weekly with a jazz band. The television broadcaster Paula and the CCB chief Red House correspondent Chuck Todd (French horn) attended college on music scholarships; NBC’s Andrea Mitchell trained to become a professional violinist. Both Microsoft’s Mr. Allen and the venture capitalist Roger McNam have rock bands. Larry Page, a co-founder of Google, played saxophone in high school. Steven Spielberg is a clarinetist and son of a pianist. The former World Bank president James D. Wolfenjohn has played cello at Carnegie Hall.\n\n“It’s not a coincidence,” says Mr. Greenspan, who gave up jazz clarinet but still dabbles at the baby grand in his living room. “I can tell you as a statistician, the probability that that is mere chance is extremely small.” The cautious former Fed chief adds, “That’s all that you can judge about the facts. The crucial question is: why does that connection exist?”', 'Living in New York as a musician of the Opera\'s Grand Theatre', '', 'publish', 'closed', 'open', '', 'is-music-the-key-to-success-2', '', '', '2020-03-26 14:05:18', '2020-03-26 14:05:18', '', 0, 'https://demo.pro.radio/wp1/video-stories/is-music-the-key-to-success-2/', 0, 'post', '', 0),
(483, 1, '2022-05-09 21:55:06', '2022-05-09 21:55:06', '', 'Mother Of Worlds', '', 'publish', 'closed', 'closed', '', 'mother-of-worlds', '', '', '2022-05-10 07:22:45', '2022-05-10 07:22:45', '', 0, 'https://demo.pro.radio/wp1/event/the-legends-of-house/', 0, 'event', '', 0),
(484, 1, '2022-05-09 21:43:02', '2022-05-09 21:43:02', 'We\'re scaling up in a big way this year with more MUSIC, ARTISTS, nationally touring headliners, and a growing COMMUNITY of the best kinds of people around.\r\n\r\nBrought to you by Common Flame Events, Pine Ridge Services, All One Productions, Cosmic Arts Studio, Sherman Theater Presents, and many, many others.\r\n\r\nFEATURING close to 40 acts on two side by side stages:\r\n\r\nCabinet Acoustic\r\nYam Yam\r\nMuscle Tough\r\nMedusa\'s Disco\r\nUncle Jake &amp; the 18 Wheel Gang\r\nTrouble City All-Stars\r\nFree Range Folk\r\nThe TRiBE\r\nJohnny Lit’s Jerry Duty\r\nMiss Cantaloupe\r\nWe\'re From Antarctica\r\nMosey Beat\r\nBearsloth\r\nKeystone Groove\r\nBandana Brothers\r\nSWAAMP\r\nElectric Moose Knuckle\r\nStray Seeds\r\nBaba\r\nElephant\r\nBrother Bear the Rapper\r\nSheilaMark Band\r\nRumple Stiltskinz\r\nRubix Pube\r\nPow Wow\r\nEarth Song\r\nRichard\r\nLUCA\r\nDaywand\r\nLucid Ruby\r\nStarboard Sparrows\r\nFood Truck\r\nGood Stuff\r\nChris Dela Cruz\r\nProspect\r\nNate Marks\r\nScotty Crosby\r\nRollin Sushi', 'Pine Ridge Fest', '', 'publish', 'closed', 'closed', '', 'pine-ridge-fest', '', '', '2022-05-10 01:47:04', '2022-05-10 01:47:04', '', 0, 'https://demo.pro.radio/wp1/event/desert-rock-festival/', 0, 'event', '', 0),
(485, 1, '2022-05-09 21:29:13', '2022-05-09 21:29:13', 'https://www.youtube.com/watch?v=nEWNs9oMSNY', 'The Fun House', '', 'publish', 'closed', 'closed', '', 'fun-house', '', '', '2022-05-10 01:36:46', '2022-05-10 01:36:46', '', 0, 'https://demo.pro.radio/wp1/event/beach-festival/', 0, 'event', '', 0),
(486, 1, '2022-05-09 21:17:12', '2022-05-09 21:17:12', 'https://www.youtube.com/watch?v=JmwlOKomm5s\r\n\r\nThe Fire began in 1999 when Karen Lauria Saillant, opera singer, director and voice coach- who worked with Quest Love, Mutlu, G. Love &amp; Special Sauce, Amen Dunes, David Cope and other artists, took the pool table out of the room of The Philadelphia Bar &amp; Grille, her husband’s shot and beer bar, and replaced it with a tiny stage where her original music singing students could perform. Within a short time, The Fire became a pioneering rock club in the Northern Liberties section of Philadelphia. Today The Fire is the oldest original Philadelphia live music venue and a part of one of the most thriving music scenes on the East Coast.\r\n\r\nOur stage has hosted many artists on their rise to stardom: John Legend, My Chemical Romance, Maroon 5, Jason Mraz, OK GO, Iron and Wine, Amos Lee, Cold War Kids, Rilo Kiley, Tegan and Sara, Bill Kreutzmann (Grateful Dead), Santigold, Damien Rice, Dr. Dog, Schooly D, Sun Ra and The Archestra and more.\r\n\r\nThe Fire is now Philly’s only female-owned venue. We are an artist-friendly establishment with a passion for developing new talent, both local, touring and international- most recently showcasing the best bands/musicians from Scotland, Italy, Brazil, Singapore, Ireland, Chile and other foreign countries, thereby giving local bands on the bill the opportunity to make friends and be hosted in those countries for future performances. The Fire will soon be organizing tours for Philly’s top talent in Italy and Italy’s best musicians in USA. Also, be on the lookout for upcoming professional development and networking events being offered exclusively at The Fire, along with the establishment of Philly’s first virtual reality broadcasting venue.\r\n\r\nWe are proud to host a very diverse calendar, with Monday as one of the longest-running and most passionately supportive open mics in Philly. In fact, it was at our open mic in 2003, that John Legend started his career.\r\n\r\nWith regular shows and Woman Crush Wednesday #wcw once a month, at our Philadelphia live music venue we feature punk rock, country, glam rock, shoe gaze, EDM, rock, folk, indie rock, punk, goth, heavy metal and everything in between.\r\n\r\nMost shows we host are 21+.\r\n\r\nThe Fire, soon to celebrate its 20th year, is a warm, fun and friendly place to be. It is THE place in Philly to catch musicians on their way to stardom. Stop in! You are only a stranger once!', 'Firephilly', '', 'publish', 'closed', 'closed', '', 'firephilly', '', '', '2022-05-10 01:33:02', '2022-05-10 01:33:02', '', 0, 'https://demo.pro.radio/wp1/event/the-piano-angel/', 0, 'event', '', 0),
(487, 1, '2022-04-18 18:14:16', '2022-04-18 18:14:16', '<h3>MOUNTAIN BASED MUTANT ROCK</h3>\r\nhttps://www.youtube.com/watch?v=kIVzgT4AF7Q', 'NEPA Horror Fest', '', 'publish', 'closed', 'closed', '', 'nepa-horror-fest', '', '', '2022-05-10 00:35:12', '2022-05-10 00:35:12', '', 0, 'https://demo.pro.radio/wp1/event/robby-solo-concert/', 0, 'event', '', 0),
(488, 1, '2022-04-18 18:17:49', '2022-04-18 18:17:49', '<div class=\"kvgmc6g5 cxmmr5t8 oygrvhab hcukyx3x c1et5uql\">\r\n<div dir=\"auto\">The World\'s First Old-time Bluegrass Subgenius Gospel and Devo cover-string band. Ol\' timey-whimey, devolved bluegrass and whatnot.</div>\r\n<div dir=\"auto\">\r\n<ul>\r\n 	<li dir=\"auto\">Samantha Poole (AZ) - Banjo, singin\'</li>\r\n 	<li dir=\"auto\">Robin Renee (NJ) - Geetar, singin\'</li>\r\n 	<li dir=\"auto\">Dave Orama (OH)- Tub Thumpin\', singin\'</li>\r\n 	<li dir=\"auto\">Princess Wei R Doe (OH)- spoons, washboard, singin\'</li>\r\n 	<li dir=\"auto\">Ruth Spies (AZ)-Geetar, singin\'</li>\r\n</ul>\r\nhttps://www.youtube.com/watch?v=2A3ZkC1MT90\r\n\r\n</div>\r\n</div>', 'Mutant Mountain Boys', '', 'publish', 'closed', 'closed', '', 'mutantmountainboys', '', '', '2022-04-18 22:38:48', '2022-04-18 22:38:48', '', 0, 'https://demo.pro.radio/wp1/event/soundfools-festival/', 0, 'event', '', 0),
(489, 1, '2022-05-09 21:07:25', '2022-05-09 21:07:25', '&nbsp;\r\n\r\nhttps://www.youtube.com/watch?v=VgRDVlZmYV4', 'The Never Ending Party', '', 'publish', 'closed', 'closed', '', 'the-never-ending-party', '', '', '2022-05-10 01:08:10', '2022-05-10 01:08:10', '', 0, 'https://demo.pro.radio/wp1/event/rock-bobby-guitar/', 0, 'event', '', 0),
(490, 1, '2020-05-18 18:26:51', '2020-05-18 18:26:51', '<h3 class=\"font_3\">Reawaken, Renew, and Expand at The Starwood Festival - America\'s Longest Running Transformational Festival</h3>\r\n<p class=\"font_3\" style=\"text-align: left;\">It’s official! We’re now a non-profit organization! As many of you know, The Starwood Festival has been brought to you by A.C.E. LLC for the past 40 years. We have created a nonprofit organization for future events named Rosencomet Project.  This nonprofit will allow us to keep the Starwood fires burning for future generations. We are very happy about this new organization and are excited to share it with all of you.  We couldn’t have gotten here without you! The Rosencomet Project can’t wait to continue bringing you so much more of everything you know and love! Ad Astra!</p>\r\nhttps://www.youtube.com/watch?v=ZPfCqORfgas', 'Starwood Festival', '', 'publish', 'closed', 'closed', '', 'starwoodfestival', '', '', '2022-04-18 23:25:52', '2022-04-18 23:25:52', '', 0, 'https://demo.pro.radio/wp1/event/underground-night-party/', 0, 'event', '', 0),
(491, 1, '2020-05-18 18:30:54', '2020-05-18 18:30:54', 'During the live show, we always want to hear from our audience. The one and only place to do that is on our Discord server. Click the link below to join and interact with us on Discord!', 'Discord', '', 'publish', 'closed', 'closed', '', 'discord', '', '', '2022-03-16 22:32:28', '2022-03-16 22:32:28', '', 0, 'https://demo.pro.radio/wp1/event/dark-bombasting-evening/', 0, 'event', '', 0),
(492, 1, '2022-05-09 20:52:05', '2022-05-09 20:52:05', '<strong>The Keystone Stage</strong> is a live entertainment Music Venue and Comedy Club located outside of <strong>Scranton, PA!</strong>', 'The Keystone Stage', '', 'publish', 'closed', 'closed', '', 'the-keystone-stage', '', '', '2022-05-10 01:36:27', '2022-05-10 01:36:27', '', 0, 'https://demo.pro.radio/wp1/event/summer-sonic/', 0, 'event', '', 0),
(493, 1, '2020-05-18 18:40:37', '2020-05-18 18:40:37', '', 'X-DAY', '', 'publish', 'closed', 'closed', '', 'xday', '', '', '2022-05-10 01:50:48', '2022-05-10 01:50:48', '', 0, 'https://demo.pro.radio/wp1/event/edm-open-air/', 0, 'event', '', 0),
(494, 1, '2022-04-18 18:43:46', '2022-04-18 18:43:46', 'A great event celebrating geekiness and insane loyalty to Devo. What has become an annual event in Cleveland, Ohio was as entertaining as ever this year. General Boy, Jim Mothersbaugh, and Ivan Stang (Church Of The Subgenius) talked to the fans about all that is Devo. A gaggle of folks who think about more than <i>Whip It</i> and \"flower pot hats\" when they think of Devo showed up from as far as Vancouver, California, and Arizona. A delightful journey into the psyche of an interesting clique.\r\n\r\nhttps://www.youtube.com/watch?v=xAsr5H24bI8', 'DEVOtional', '', 'publish', 'closed', 'closed', '', 'devotional', '', '', '2022-04-18 22:07:00', '2022-04-18 22:07:00', '', 0, 'https://demo.pro.radio/wp1/event/enslaved-spinning-wheel-ritual/', 0, 'event', '', 0),
(495, 1, '2020-05-18 18:47:35', '2020-05-18 18:47:35', 'Live at 13 is an underground music venue located in Easton, Pennsylvania. Initially started by a group of high school kids in 2016, the venue blossomed into a local hotspot for underground artists. After a three year run, the venue shut down right before the pandemic hit never to open its doors again- until now. Known for live music, high-energy elaborate shows, and a welcoming atmosphere, 13 has been described as something you need to see to believe. The team has decided to resurrect the venue for one final show on May 21st, 2022.\r\n\r\nhttps://www.youtube.com/watch?v=y2oPfhyk-os', 'Evil At 13', '', 'publish', 'closed', 'closed', '', 'evil-at-13', '', '', '2022-05-10 00:45:44', '2022-05-10 00:45:44', '', 0, 'https://demo.pro.radio/wp1/event/miranda-frenzy-live/', 0, 'event', '', 0),
(496, 1, '2020-05-18 18:51:35', '2020-05-18 18:51:35', 'TATTOO FLASH PARTY, EASTON PENNSYLVANIA', 'Tattoo Flash Party', '', 'publish', 'closed', 'closed', '', 'tattoo-flash-party', '', '', '2022-05-10 00:34:44', '2022-05-10 00:34:44', '', 0, 'https://demo.pro.radio/wp1/event/spring-break-camp/', 0, 'event', '', 0),
(497, 1, '2020-05-18 18:59:09', '2020-05-18 18:59:09', 'For one huge weekend in May our beloved Airfield Of Dreams at Damyn’s Hall, Upminster, combines some of the world’s biggest names in electronic dance music with some of the world’s leading Crash landed on this blue planet in your year 1965. Met J.R.\"Bob\" Dobbs, He told them to come back in semi-human form in<span class=\"bcTruncateMore\"> <span class=\"peekaboo-text\">1998 and destroy the PINKS and NORMALS with AMINO-RAWK. That\'s what they have been doing for 20 years. Now they are stuck on the Earth until they get enough loot to fix their ship!! Over and out</span> </span>\r\n\r\nhttps://theaminoacids.bandcamp.com/', 'The Amino Acids', '', 'publish', 'closed', 'closed', '', 'theaminoacids', '', '', '2022-04-18 23:08:24', '2022-04-18 23:08:24', '', 0, 'https://demo.pro.radio/wp1/event/edm-festival/', 0, 'event', '', 0),
(1750, 1, '2015-03-09 15:17:43', '2015-03-09 15:17:43', '[gallery link=\"file\" size=\"medium\" ids=\"6040,6038,6039,6052,6036,6051\"]\r\n\r\nNo longer held captive by the laws of time and space, the Dr. Hal Show can now take place in  your living room! New LIVE SHOW broadcast on Twitch on the 2nd Sunday of each  month. 10pm est.\r\n\r\nDr. Hal is a multi-talented Renaissance man, and along with being a radio show host, an expert in all subjects, and a performer, he is also a talented artist who has had art exhibitions and made children\'s books about dinosaurs, as well as doing voiceover work for video games.\r\n\r\nThe <i>Ask Dr. Hal!</i> show is based on Dr. Hal\'s incredible expertise in all areas of subject matter, from the most mundane to the most obscure, from Forbidden Science to theosophy to phrenology to paleontology, from etymology to entomology and everything in between. <i>The Daily Show\'</i>s \"Resident Expert\" John Hodgman is a pathetic imitator of Dr. Hal, who stole his act, something Dr. Hal has been doing for decades and is much better at. Dr. Hal is the leading expert in ALL subjects, worldwide. On <i>Ask Dr. Hal!</i>, people ask Dr. Hal questions, any questions at all, on any subject, and he gives them very detailed, specific answers that prove beyond any shadow of a doubt that he knows what he is talking about with regard to the answer to that question, as well as the answer to every other possible question anybody could ever think of. Dr. Hal is literally omniscient, all-knowing, with superhuman powers... but of course he has superhuman powers, for he is no mere humanm but a SubGenius, and OverMan!', 'Ask Dr. Hal Show', '', 'publish', 'closed', 'closed', '', 'drhal', '', '', '2023-07-26 10:11:13', '2023-07-26 14:11:13', '', 0, 'https://demo.pro.radio/wp1/shows/my-show-onew/', 0, 'shows', '', 0),
(1780, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Monday', '', 'publish', 'closed', 'closed', '', 'monday', '', '', '2024-01-18 23:08:34', '2024-01-19 04:08:34', '', 0, 'https://demo.pro.radio/wp1/schedule/monday/', 0, 'schedule', '', 0),
(1815, 1, '2015-03-09 19:04:22', '2015-03-09 19:04:22', '<h2>THE COSMIKS</h2>\r\n<img src=\"https://slackradio.org/wp-content/uploads/2015/03/Laila.gif\" alt=\"\" width=\"224\" height=\"336\" />\r\n<img src=\"https://slackradio.org/wp-content/uploads/2015/03/Dan.gif\" alt=\"\" width=\"224\" height=\"336\" />\r\n<img src=\"https://slackradio.org/wp-content/uploads/2015/03/Celia.gif\" alt=\"\" width=\"224\" height=\"336\" />\r\nhttps://www.youtube.com/watch?v=vkHwS-vAoe0https://www.youtube.com/watch?v=GZnUi58u4YAhttps://www.youtube.com/watch?v=KdFkmO6kp3I\r\nThe Cosmiks remind of three peas in a pod.\r\n<img src=\"https://slackradio.org/wp-content/uploads/2015/03/PeasBubble.png\" alt=\"\" width=\"533\" height=\"594\" />\r\nPeas\r\nReverend\r\nTo be fair, The Cosmiks really know wass up.\r\n<img src=\"https://slackradio.org/wp-content/uploads/2023/02/IvanStangBubble.png\" alt=\"\" width=\"533\" height=\"594\" />\r\nIvan Stang\r\nWriter\r\nThey\'re ok I guess, if you like what\'s happening.\r\n<img src=\"https://slackradio.org/wp-content/uploads/2015/03/CosmikLailaBubble.png\" alt=\"\" width=\"533\" height=\"594\" />\r\nLaila\r\nCosmik\r\n<a href=\"https://www.facebook.com/Cosmik.Laila\" target=\"_blank\" rel=\"noopener\">\r\nFacebook\r\n</a>\r\n<a href=\"https://twitter.com/TheCosmiks\" target=\"_blank\" rel=\"noopener\">\r\nTwitter\r\n</a>\r\n<a href=\"https://www.youtube.com/TheCosmiks\" target=\"_blank\" rel=\"noopener\">\r\nYoutube\r\n</a>', 'Wass \'Appenin\'', '', 'publish', 'closed', 'closed', '', 'wassappenin', '', '', '2023-07-26 10:10:39', '2023-07-26 14:10:39', '', 0, 'https://demo.pro.radio/wp1/shows/sick-beats/', 0, 'shows', '', 0),
(1817, 1, '2015-03-09 19:06:20', '2015-03-09 19:06:20', '<img src=\"https://slackradio.org/wp-content/uploads/2015/03/HootenannyHeader-1.jpg\" sizes=\"(max-width: 1920px) 100vw, 1920px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/HootenannyHeader-1.jpg 1920w, https://cornerstonegaming.com/wp-content/uploads/2015/03/HootenannyHeader-1-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/HootenannyHeader-1-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/HootenannyHeader-1-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/HootenannyHeader-1-1536x864.jpg 1536w\" alt=\"\" width=\"1920\" height=\"1080\" />\r\n\r\n<article id=\"proradio-slider-post-1821\"><img src=\"https://slackradio.org/wp-content/uploads/2015/03/FerginFinaly.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-1536x864.jpg 1536w\" alt=\"Fergin Friday\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/electronic/\">Electronic</a> Now on air\r\n<h3><a href=\"https://cornerstonegaming.com/shows/ferginfriday/\">Fergin Friday</a></h3>\r\n<h5>Hosted by Ferg</h5>\r\n<h6><i class=\"material-icons\">access_time</i>8:00 pm - 12:00 am</h6>\r\n</article><article id=\"proradio-slider-post-1821\"><img src=\"https://slackradio.org/wp-content/uploads/2015/03/FerginFinaly.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/FerginFinaly-1536x864.jpg 1536w\" alt=\"Fergin Friday\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/electronic/\">Electronic</a>\r\n<h3><a href=\"https://cornerstonegaming.com/shows/ferginfriday/\">Fergin Friday</a></h3>\r\n<h5>Hosted by Ferg</h5>\r\n<h6><i class=\"material-icons\">access_time</i>8:00 pm - 12:00 am</h6>\r\n</article><article id=\"proradio-slider-post-1827\"><img src=\"https://slackradio.org/wp-content/uploads/2015/03/SlackTrap.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/SlackTrap.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2015/03/SlackTrap-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/SlackTrap-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/SlackTrap-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/SlackTrap-1536x864.jpg 1536w\" alt=\"Venus Slacktrap\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/gossip/\">Gossip</a> Now on air\r\n<h3><a href=\"https://cornerstonegaming.com/shows/venusslacktrap/\">Venus Slacktrap</a></h3>\r\n<h5>Weylando Rivera</h5>\r\n<h6><i class=\"material-icons\">access_time</i>5:00 pm - 6:00 pm</h6>\r\n</article><article id=\"proradio-slider-post-1812\"><img src=\"https://slackradio.org/wp-content/uploads/2015/03/Slackverse.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/Slackverse.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2015/03/Slackverse-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/Slackverse-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/Slackverse-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/Slackverse-1536x864.jpg 1536w\" alt=\"SlackverseX\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/experimental/\">Experimental</a>\r\n<h3><a href=\"https://cornerstonegaming.com/shows/slackversex/\">SlackverseX</a></h3>\r\n<h5>SlackverseX</h5>\r\n<h6><i class=\"material-icons\">access_time</i>6:00 pm - 8:00 pm</h6>\r\n</article><article id=\"proradio-slider-post-1825\"><img src=\"https://slackradio.org/wp-content/uploads/2020/05/RubixPubeTattoo.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2020/05/RubixPubeTattoo.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2020/05/RubixPubeTattoo-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2020/05/RubixPubeTattoo-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2020/05/RubixPubeTattoo-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2020/05/RubixPubeTattoo-1536x864.jpg 1536w\" alt=\"Rubix Pube\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/rock/\">Rock</a>\r\n<h3><a href=\"https://cornerstonegaming.com/shows/rubixpube/\">Rubix Pube</a></h3>\r\n<h5>Rubix Pube with Fidd Chewley</h5>\r\n<h6><i class=\"material-icons\">access_time</i>10:00 pm - 12:00 am</h6>\r\n</article><article id=\"proradio-slider-post-1820\"><img src=\"https://slackradio.org/wp-content/uploads/2015/03/ReverandSusie.jpg\" sizes=\"(max-width: 1550px) 100vw, 1550px\" srcset=\"https://cornerstonegaming.com/wp-content/uploads/2015/03/ReverandSusie.jpg 1550w, https://cornerstonegaming.com/wp-content/uploads/2015/03/ReverandSusie-770x433.jpg 770w, https://cornerstonegaming.com/wp-content/uploads/2015/03/ReverandSusie-1170x658.jpg 1170w, https://cornerstonegaming.com/wp-content/uploads/2015/03/ReverandSusie-768x432.jpg 768w, https://cornerstonegaming.com/wp-content/uploads/2015/03/ReverandSusie-1536x864.jpg 1536w\" alt=\"Slacktime Funhouse\" width=\"1550\" height=\"872\" />\r\n<a href=\"https://cornerstonegaming.com/showgenre/chillout/\">Chillout</a>\r\n<h3><a href=\"https://cornerstonegaming.com/shows/reverandsusie/\">Slacktime Funhouse</a></h3>\r\n<h5>Reverend Susie</h5>\r\n<h6><i class=\"material-icons\">access_time</i>12:00 am - 1:00 am</h6>\r\n</article>', 'Hootenanny', '', 'publish', 'closed', 'closed', '', 'hootenanny', '', '', '2023-07-26 10:10:07', '2023-07-26 14:10:07', '', 0, 'https://demo.pro.radio/wp1/shows/popn-roll/', 0, 'shows', '', 0),
(1820, 1, '2015-03-09 19:08:40', '2015-03-09 19:08:40', 'Reverend Susie the Floozie is one of the most famous UberFemmes of the Church of the SubGenius. With an even more famous pair of teats that usually have prairie squid suckling on them to extract vital nutrients they will need in the evil plan for world domination!\r\n\r\nIn her role as host of the SubGenius show Slacktime Funhouse, Reverend Susie encants the most excellent audio collages to put her under your spell. She is a regular at X-Day and is an administrator at ScrubGenius.', 'Slacktime Funhouse', '', 'publish', 'closed', 'closed', '', 'reverandsusie', '', '', '2023-08-08 09:44:33', '2023-08-08 13:44:33', '', 0, 'https://demo.pro.radio/wp1/shows/art-of-gossip/', 0, 'shows', '', 0),
(1821, 1, '2015-03-09 19:09:32', '2015-03-09 19:09:32', 'Between the time of the titans and when the oceans drank Atlantis, there was a slack undreamed of. And unto this, Ferg, destined to wear the jeweled crown of Aquilonia upon a troubled brow. In time, his victories could not easily be counted...he traveled to the east, where the slack masters would teach him the deepest secrets. What is slack compared to the hand that wields it?', 'Fergin Friday', '', 'publish', 'closed', 'closed', '', 'ferginfriday', '', '', '2023-07-26 10:08:27', '2023-07-26 14:08:27', '', 0, 'https://demo.pro.radio/wp1/shows/tranceamerica/', 0, 'shows', '', 0);
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(1822, 1, '2015-03-09 19:23:48', '2015-03-09 19:23:48', '<span class=\"itemContentString\"><strong>The National Cynical Network </strong>(NCN) is a long-running, alternate programming media project. It originally consisted of a trio of <a href=\"http://en.wikipedia.org/wiki/San_Francisco_Bay_Area\">SF Bay-Area</a> based radio collage artists: <a href=\"http://www.facebook.com/#!/pnarco\" target=\"_blank\" rel=\"noopener\">Phineas Narco</a>, <a href=\"http://www.myspace.com/teamredball\" target=\"_blank\" rel=\"noopener\">Ronald Redball</a> and Alexander T. Newport.</span>\r\n\r\nNCN seeks to play <em>with</em> music, using sound, and video media samples in the process of media collage or <em>\'mediage\'</em>.\r\n\r\n\'Mediage\' is defined as the process of artistically appropriating material from the media, synthesizing it throught the filter of the artists\' own subjective experience of it, and then recasting it back into the media environment.\r\n\r\n<strong><u>What is the History and Influences of the Original Members of NCN?</u></strong>\r\n\r\n<strong>Phineas Narco</strong> (aka \'Phinny\') was born in the 1960\'s in the US\' mid-west region, during the very last few weeks in which Baby Boomers were born. He considers himself a \'Barely Boomer\'. Narco spent much of the 1970\'s capturing media from TV, movies and radio using tape cassette cassette recorders, making mix tapes as a hobby, and as presents to friends and family. He also enjoyed putting together scale models and puzzles. An older friend, who worked at radio station KEAR at the time, let Narco hang out at the station where he developed an interest in broadcasting.\r\n\r\nPhineas toured Europe with a high-school sponsored chorus and band at the age of 14.\r\n\r\nIn 1982, Phinny was impressed by the maniacally improvised, late-night surreal weirdness of Berkeley, CA radio station <a href=\"http://www.kpfa.org/\" target=\"_blank\" rel=\"noopener\">KPFA</a>\'s <em>\"The <a href=\"http://www.subgenius.com/\" target=\"_blank\" rel=\"noopener\">Subgenius</a> Show\"</em> (aka <em>\'More Than an Hour Less than a Show\'</em> aka <em>\'The<a href=\"http://laughingsquid.com/puzzling-evidence/\" target=\"_blank\" rel=\"noopener\"> Puzzling Evidence</a> Show</em>). (recordings of \'The Show\' from this era is available <a href=\"http://www.lulu.com/product/media-download/more-than-an-hour-less-than-a-show-from-the-1980s/6512967\" target=\"_blank\" rel=\"noopener\">here</a>. Inspiration was also found in the live sonic wizardry of <a href=\"http://www.negativland.com/\" target=\"_blank\" rel=\"noopener\">Negativland</a>\'s late-night sound-collage show <em>\"<a href=\"http://en.wikipedia.org/wiki/Over_the_Edge_%28radio%29\" target=\"_blank\" rel=\"noopener\">Over the Edge</a>\" </em>(OTE), also on KPFA.\r\n\r\nPhinny soon after began calling up the two shows to talk and insert audio material into the live on-air mixes, eventually becoming an in-studio guest on several occasions, starting in 1987, creating live sound collage mixes with the show\'s hosts and sometimes other guests. He has done at least 2 dozen such shows since that time.\r\n\r\nNarco has performed, with most of the members of Negativland as well as TradeMarkG of the <a href=\"http://evolution-control.com/index.php\" target=\"_blank\" rel=\"noopener\">Evolution Control Committee</a>, solo artist <a href=\"http://detritus.net/wobbly/\" target=\"_blank\" rel=\"noopener\">Wobbly</a>, Otis Fodder of <a href=\"http://www.thebranflakes.com/\" target=\"_blank\" rel=\"noopener\">The Bran Flakes</a>, Janor Hypercleats (aka Mr. TV), cartoonist and peformer <a href=\"http://www.askdrhal.com/\" target=\"_blank\" rel=\"noopener\">Hal Robins</a>, UNIVAC, <a href=\"http://en.wikipedia.org/wiki/Ivan_Stang\">Ivan Stang</a>, and members of <a href=\"http://www.ubuibi.org/\" target=\"_blank\" rel=\"noopener\">Big City Orchestra</a>.\r\n\r\nPhineas has also written two books: \'The Hawk Flew South\" (a novel) and \'Seasons Black and Red\' (a book of poetry) and has written for various zines during the eighties, including Trevor Blake\'s <a href=\"http://pdf.textfiles.com/zines/OVO/\" target=\"_blank\" rel=\"noopener\">OVO</a> and <a href=\"http://en.wikipedia.org/wiki/Boiled_Angel\" target=\"_blank\" rel=\"noopener\">Boiled Angel</a> edited by underground cartoonist <a href=\"http://en.wikipedia.org/wiki/Mike_diana\" target=\"_blank\" rel=\"noopener\">Mike Diana</a>.\r\n\r\nPhinny has been a (double!) card-carrying member of the <a href=\"http://www.subgenius.com/\" target=\"_blank\" rel=\"noopener\">Church of the Subgenius</a> since the early 1990\'s, and was an attendee of the original <a href=\"http://en.wikipedia.org/wiki/X-Day_%28Church_of_the_SubGenius%29\" target=\"_blank\" rel=\"noopener\">Subgenius X-Day celebration</a> on July 5th, 1998 in Brushwood, NY, as well as the 1998 <a href=\"http://en.wikipedia.org/wiki/Burning_man\" target=\"_blank\" rel=\"noopener\">Burning Man Festival</a>. Around this time too, he had a running correspondence with the iconic comedian and actor <a href=\"http://en.wikipedia.org/wiki/George%20Carlin\" target=\"_blank\" rel=\"noopener\">George Carlin</a>, who expressed tremendous enthusiasm for Narco\'s work and the social commentary therein. Phineas never got to meet Carlin in person, but credits Carlin\'s endorsement with giving him the confidence to launch his artistic career.\r\n\r\nMainstream influences for Phinny include the progressive rock groups <a href=\"http://en.wikipedia.org/wiki/Pink_Floyd\" target=\"_blank\" rel=\"noopener\">Pink Floyd</a>, <a href=\"http://en.wikipedia.org/wiki/Genesis_%28band%29\" target=\"_blank\" rel=\"noopener\">Genesis</a>, various <a href=\"http://en.wikipedia.org/wiki/New_Wave_music\" target=\"_blank\" rel=\"noopener\">New Wave</a> bands such as <a href=\"http://en.wikipedia.org/wiki/Oingo_Boingo\" target=\"_blank\" rel=\"noopener\">Oingo Boingo</a> and <a href=\"http://en.wikipedia.org/wiki/Devo\">Devo</a> as well as the solo work of <a href=\"http://www.roger-waters.com/\" target=\"_blank\" rel=\"noopener\">Roger Waters,</a> the music of <a href=\"http://en.wikipedia.org/wiki/Trent_Reznor\" target=\"_blank\" rel=\"noopener\">Trent Reznor</a>, and the work of the late <a href=\"http://www.zappa.com/\" target=\"_blank\" rel=\"noopener\">Frank Zappa</a>.\r\n\r\n<strong>Ronald Redball</strong>, was also born in the U.S. mid-west at the end of the 1960\'s. Artists who influenced Ronald include most notably radio personality <a href=\"http://en.wikipedia.org/wiki/Phil_hendrie\" target=\"_blank\" rel=\"noopener\">Phil Hendrie</a>. Redball built the legendary \'Shoebox Tapes Site\' which featured many theretofore lost early <a href=\"http://en.wikipedia.org/wiki/Phil_Hendrie_Show\" target=\"_blank\" rel=\"noopener\">Phil Hendrie Show</a>recordings, given to him by Alexander T. Newport. Many of the Shoebox Tapes are now available on <a href=\"http://www.philhendrieshow.com/\" target=\"_blank\" rel=\"noopener\">Hendrie\'s official site</a>.\r\n\r\nRedball was influenced, and emulated, the stylings of comedy groups such as <a href=\"http://en.wikipedia.org/wiki/The_Jerky_Boys\" target=\"_blank\" rel=\"noopener\">The Jerky Boys</a>, as well as <a href=\"http://www.firesigntheatre.com/\" target=\"_blank\" rel=\"noopener\">The Firesign Theater</a> and was an avid follower of the TV shows <a href=\"http://www.thesimpsons.com/\" target=\"_blank\" rel=\"noopener\">The Simpsons</a>, <a href=\"http://en.wikipedia.org/wiki/Star_Trek_The_Next_Generation\" target=\"_blank\" rel=\"noopener\">Star Trek: The Next Generation</a>, and <a href=\"http://en.wikipedia.org/wiki/The_Prisoner\" target=\"_blank\" rel=\"noopener\">The Prisoner</a>. His favorite musician is <a href=\"http://en.wikipedia.org/wiki/Philip_Glass\" target=\"_blank\" rel=\"noopener\">Philip Glass</a>.\r\n\r\nRedball wrote and produced NCN\'s popular \'Chap in the Hood\' segments, and co-created (with Phineas) the piece \'<a href=\"http://www.amazon.com/gp/product/B003I9VLF8/ref=as_li_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=B003I9VLF8&amp;linkCode=as2&amp;tag=thenaticynine-20&amp;linkId=2WGWERP7UCQHNDS2\" target=\"_blank\" rel=\"noopener\">\'Free Will\'</a>\', which was featured on the <a href=\"http://www.droplift.org/\" target=\"_blank\" rel=\"noopener\">Droplift Album</a> in the year 2000.\r\n\r\nThe so-called \'man-of-a-thousand-voices\', Redball wrote and performed the NCN piece <a href=\"http://www.amazon.com/PepRidge-Farms-Remembers/dp/B003I9RQKW/ref=sr_1_1?ie=UTF8&amp;s=dmusic&amp;qid=1280440777&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\">\'PepRidge Farm Commercial\'</a> and completely improvised the \'Tasteless Star Trek\' segments which Phineas post-produced. (All of the above-mentioned tracks can be found on the NCN online album release: <a href=\"http://www.cdbaby.com/cd/thencn2\" target=\"_blank\" rel=\"noopener\">\"Straight Outta Klonopin\"</a>).\r\n\r\nRedball has done over forty \"Over the Edge\" shows, with Al Newport guesting on many of the overall shows, and Phinny on some of them.\r\n\r\nRedball effectively dropped out of \'NCN\' in 2003, current whereabouts unknown.\r\n\r\n<strong>Alexander T. Newport</strong> (aka Mr. 1:15) contributed writing, philosophical support, and much voice talent to early work of NCN. He is now a writer living happily in the UK with his wife and several pets. Newport spent decades authoring three books of self-termed “philo-babble\": including the underground cult-classic <a href=\"http://www.amazon.com/Vomit-Factory-Life-Fake-Death/dp/1411640314/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1243339247&amp;sr=8-1\" target=\"_blank\" rel=\"noopener\"><em>The Vomit Factory (Life is Fake: Death is Good)</em></a>. The tome is partly autobiographical but also outlines his personal <em>dreamgame theory</em>. Newport has further explored the ramifications of his dreamgame theory in the two (unavailable) sequels to <em>The Vomit Factory</em> titled, <em>\'Ice Cream and Poop (Making the Best of a Stupid Existence)\'</em>, and <em>\'The Steering Wheel Ain’t Connected to the Wheels (It’s Just for Show)\'</em>.\r\n\r\nNewport has since disowned and renounced all 3 books saying he has grown beyond the points of view expressed therein.\r\n\r\nHe currently is an eloquent adherent to the teachings and philosophy of new-age \'guru\' <a href=\"http://en.wikipedia.org/wiki/Abraham-Hicks\" target=\"_blank\" rel=\"noopener\">Abraham-Hicks</a>.\r\n\r\n<strong><u>WHAT IS THE HISTORY OF \'NCN\' AS A GROUP? WHAT HAS IT DONE?</u></strong>\r\n\r\nIn 1987, Newport and Redball did a number of shows guesting on Negativland\'s radio show \"Over the Edge\" (including one called <em>\'The National Cynical Network\'</em> a show that featured Redball and Newport, and a name created by Ronald. The duo met Phineas Narco through their involvement with the Over the Edge radio show. Newport and Redball introduced Narco to the voicemail community scene which was the subject of the later-to-be-made NCN series \'Midnight Voicejail\' (more on this in a little bit).\r\n\r\nThe voicemail community that Narco and Redball were a part of was sparked by a personal ad in the <a href=\"http://www.metroactive.com/metro/\" target=\"_blank\" rel=\"noopener\">San Jose Metro</a>, put there by a character named Ed Note. The ad invited Silicon Valley \'freaks\' to call a free voicemail box number sardonically titled <em>\'The World Suicide Club\'</em>. The recordings of <em>incoming</em> calls (to Note\'s voicemail box) were then cut up and used in collage form as <em>outgoing</em> message material, which greeted new and recurring callers to the advertised number.\r\n\r\nThis early \'mediage\'-type effort created it\'s very own small, divergent, electronic media environment or \'scene\' from which it also largely drew. \'the World Suicide Club\' was therefore a kind of feedback loop of creativity creating a clarion call which attracted all manner of artistic and disaffected weirdos who had been largely alienated from the \'normal\' Silicon Valley yuppified work and social scene which predominated in the area during the 1980\'s and 90\'s.\r\n\r\n<img src=\"http://www.nationalcynical.com/images/voicejail-icon.jpg\" alt=\"Icon for Midnight Voicejail\" width=\"100\" height=\"100\" align=\"left\" />\"Mr. 1:15\" (Newport--the effective protagonist of the later \'Midnight Voicejail\' series) set up his own Metro-based voicemail box soon after Ed Note\'s box became popular, and called it <i>\"Club Manic-Depression\"</i>. This was soon followed by Ronald Redball\'s voicemail box which he called \"<i>The Global Maverick Society</i>\".\r\n\r\nMany more boxes followed, each being \'advertised\' on other boxes, and the scene soon grew and migrated to other more robust voicemail box systems which were better equipped to handle the increased traffic load. Voicemail systems of the day were meant basically only to capture messages while people were away from the phone. But the \'Voicejailers\' (as the box scene participants came to be called) were using them in ways they weren\'t designed, pushing the technology to its limits\r\n\r\nAt its peak, there were at least fifty different mailboxes, all of them interacting with each other, trading and re-broadcasting messages, and presenting creative outgoings for the world to hear. There were also \'partyline\'s (much like modern-day chatrooms) in which people had public and private conversations. The main partylines even used the tagline \'A place for friends\' which was an almost identical tagline used by <a href=\"http://www.myspace.com/\" target=\"_blank\" rel=\"noopener\">myspace</a> well over a decade later.\r\n\r\nThe number of actual participants in this voicemail community, beyond the box owners, is unknown, but is probably in the hundreds.\r\n\r\n<strong><u>So... Okay, but Why Is This Important???</u></strong>\r\n\r\nIn retrospect, the voicemail box scene, as described above, was a kind of internet <em>before</em> the internet. It utilized the unintended artistic, social-networking, entertainment and yes, even journalistic potential, of voicemailbox systems much in the same way websites do, intentionally, today, many years before they even existed. Voicemail boxes were used as public journals, creative outlets, political soap-boxes, and in general, an alternative media source within the scene.\r\n\r\nEffectively it was the dawning of what we know today as the world wide web.\r\n\r\nIt should be noted that the utilization of these voicemail box capabilities was <em>experimental</em> in nature and not originally <em>intended</em> in their design; rather. These uses imposed, in a creative <a href=\"http://en.wikipedia.org/wiki/Diy\" target=\"_blank\" rel=\"noopener\">DIY</a> fashion, by its users who often hacked, squatted, as well as rented the voicemail boxes largely as a reaction to the erosion of <em>physical</em> public space which, through the necessity of invention, created its own space, on the phone lines using what technology was available at the time.\r\n\r\nOther parallels between what went on in the voicemail box systems then, and what goes on over the web today included a practice called \'box bombing\' (similar to <a href=\"http://en.wikipedia.org/wiki/DDoS_attack\" target=\"_blank\" rel=\"noopener\">DDOS attacks</a> on the web today) in which one would \'fill up\' a person\'s mailbox with a short noise, such as blowing into the receiver, thereby rendering the box \'full\' and useless until emptied by the owner.\r\n\r\nEventually, even the yuppies started to sit up and take notice of what was going on.\r\n\r\nMany of those who looked down on \'the boxes\' as \'lame\' and a waste of time, have computers, and blogs, today. Many more had their own collection of tapes from recordings received and sent, as well as the public creative outgoing messages. Obviously, people who left messages realized they were being recorded, and it was widely known that such taped material was being collected, freely circulated, and would someday be used for... \'something\'.\r\n\r\n<u><strong>\'Midnight Voicejail\'</strong></u> was created by Phineas Narco and The National Cynical Network in 1999 and ran until 2003 as a weekly feature on KFJC\'s radio show \"Club Manic-Consciousness\", run by then KFJC DJ (and latter-day voicejailer) Angel D. Monique.\r\n\r\nMidnight Voicejail was a series of 50 (mostly) half-hour episodes, which comprised an artistic and psychedelic audio documentary journeying through, focusing on, the happenings of the voicemail box scene using actual recordings from it, and intermittently going on collage-based \'flights of fancy\' in between message sequences. (A more detailed FAQ of this radio series is to be found <a href=\"http://www.nationalcynical.com/thoughtconduit/news?id=581\" target=\"_blank\" rel=\"noopener\">here</a>).\r\n\r\nIn 2001, <a href=\"http://www.mercurynews.com/%22\" target=\"_blank\" rel=\"noopener\">The San Jose Mercury News</a> did an article on the Midnight Voicejail show: <a href=\"http://www.nationalcynical.com/images/voicejail_sjmerc_010410_pt1.jpg\" target=\"_blank\" rel=\"noopener\">[1]</a> and <a href=\"http://www.nationalcynical.com/images/voicejail_sjmerc_010410_pt2.jpg\" target=\"_blank\" rel=\"noopener\">[2]</a>. The San Jose Metro did an <a href=\"http://www.metroactive.com/papers/metro/09.05.02/midnightvoice-0236.html\" target=\"_blank\" rel=\"noopener\">article</a> about it in September of 2002.\r\n\r\n<strong><u>What has Happened with NCN Since 2003?</u></strong>\r\n\r\nThe phrase <em>\'Needle in the Red\'</em> came out of a studio session (or \'play tape\') made at KFJC one evening in 2001. In that session, Newport kept pointing out how the needle of the board\'s <a href=\"http://en.wikipedia.org/wiki/VU_meter\" target=\"_blank\" rel=\"noopener\">VU meter</a> kept going into the red to an obliviously loud Redball and Phineas. In jovial frustration, the trio suddenly burst into singing \'The Needle\'s in the Red\' sung to the tune of the old folk song <a href=\"http://en.wikipedia.org/wiki/Farmer_in_the_Dell\" target=\"_blank\" rel=\"noopener\"><em>\"The Farmer in the Dell\"</em></a>.\r\n\r\nBy 2003, years into the wake of the Silicon Valley dot-com bust, George W. Bush\'s presidency, and 9/11, and with the world wide web in full swing, Phinny was weary of working on voicemail material. Disillusioned by incomprehensible KFJC station politics, spooked by seemingly eerily prescient synchronicities in his own sonic creations, devastated by an aborted friendship with comedian George Carlin, tired of dealing with Ronald Redball, and missing his absent best friend Alexander T. Newport who had since moved to the UK, Phineas withdrew to his home studio. There he spent years abstractly exploring, and expressing, personal inner landscapes through the mediage process. He worked obsessively on intricate collages, and expanded the psychedelic \'flights of fancy\' that peppered the Midnight Voicejail series. The series was called \'Needle in the Red\'.\r\n\r\nDuring this time, Phinny became more and more reclusive and immersed in his work. He kept working on the strange psychedelic audio documentaries, which in retrospect seemed to symbolically document his own inner psychological breakdown. Program titles included: \'STOP\' \'Kill Me\' \'Paranoia\' and the much-praised \'BODIES\'. The voicemail art was now taking a backseat to collage and outright music. In 2006, Phineas started to webcast many of his programs on <a href=\"http://www.plundercast.net/\" target=\"_blank\" rel=\"noopener\">Plundercast</a>, a service provided by <a href=\"http://www.sensoryresearch.net/\" target=\"_blank\" rel=\"noopener\">The Sensory Research Network</a>. Phinny has produced over 75 episodes as for \'Needle in the Red\' as of the summer of 2009.\r\n\r\nIn the Spring of 2010, Narco produced the mash-up movie Floydatar which <a href=\"http://www.flickr.com/photos/puchkina/sets/72157624101097523/\" target=\"_blank\" rel=\"noopener\">premiered</a> in the <a href=\"http://www.secondlife.com/\" target=\"_blank\" rel=\"noopener\">Second Life Environment</a> and which is now available in its entirety as an NCN<a href=\"http://www.nationalcynical.com/thoughtconduit/news?id=478#floydatar\" target=\"_blank\" rel=\"noopener\"> thank-you gift for a donation to NCN</a>. Portions of the Floydatar project are in the <a href=\"http://www.nationalcynical.com/thoughtconduit/archives?grid=15\" target=\"_blank\" rel=\"noopener\">NCN archives</a> at the <a href=\"http://www.nationalcynical.com/\">NCN Home Site</a>.\r\n\r\n<strong><u>What are Some of the Styles, Themes and Techniques that Characterizes NCN?</u></strong>\r\n\r\n<span class=\"itemContentString\">\r\nMany people ask what the \'style\' of NCN is. While it identifies itself with no particular genre, it shares some identification with the following terms: <em>\'experimental\', \'variety\', \'stream-of-consciousness\', \'mediage\', \'found sound\', \'med-core\', \'the new blues\', \'dark psychedelia\', \'sound collage\', \'audio collage\' \'illegal art\', \'neuro-novelty\', \'retro-reality radio\', and \'culture-jamming\'. </em></span>\r\n\r\nThere are elements of comedy, satire, parody, experimental psychedelia, trance and techno, in the NCN \'experience\'.\r\n\r\nLike many Generation X-er\'s themselves, the project cynically rejects idealogy and therefore \'suffers\' (or one might say \'benefits\') from an inherent and indecisive lack of identity. However it ultimately seeks to come to terms with, and embrace, this identity crisis. To use it, instead of opposing it.\r\n\r\nThe project\'s classic logo is a mix-up of CNN\'s logo, symbolically denoting the mix-up approach of the \'mediage\' process upon mainstream corporate controlled culture as filtered through it\'s own unique and richly distorted lens.\r\n\r\nCommon themes include: cynicism, psychedelic intensity, <a href=\"http://en.wikipedia.org/wiki/Experimental_music\" target=\"_blank\" rel=\"noopener\">experimental music</a>, political and pop culture, political caricature, drugs, an obsession with the shows \'Star Trek-The Next Generation\' and the short-lived comedy series \'<a href=\"http://www.sledgehammeronline.com/\" target=\"_blank\" rel=\"noopener\">Sledgehammer</a>\', an identification with \'<a href=\"http://en.wikipedia.org/wiki/Nerd\" target=\"_blank\" rel=\"noopener\">nerd</a>culture\', the necessary \'illusion\' of \'reality\' in an inescapably subjective world, vulgar humor, \"Newportian dreamgame theory\", buddhism and new age \'self-help\' spirituality, extreme states of mood and consciousness, work, liberalism vs. conservatism, the phrase <em>\'how dare you,\'</em> the word <em>\'types\' </em>and the number \'59\'.\r\n\r\nMaterial runs the gamut from improvised mixes, produced comedy skits, straight up found sound-collages, political caricatures, abstract sonic expressionism, dada, surrealism, social commentary, voicemail messages, field recordings, naive melodies, \'psycho-philobabble\' (the expression of an amalgam of various philosophical standpoints) and novelty songs.\r\n\r\nAll of the above, at any given time, can be lampooned or taken <i>very</i> seriously but.... but....\r\n\r\n&nbsp;\r\n<blockquote><center><strong>\"SO, WHAT??\"</strong></center></blockquote>\r\nWe of The National Cynical Network do not seek to change minds, as much as to describe the world so many minds have created and how it affect our own world. Our own minds. These programs are presented as rides and as surreal sonic \'snapshots in time\' of the world as we see it. We seek to disturb the comfortable and comfort the disturbed. We recognize that when historians look back to see what a civilization was like, they first look at the art from that period. As artists, we say that it is appropriate to appropriate.We recognize the fundamental truth that to deny media appropriation is to deny art itself. Artists have <em>always</em> copied objects from their their environment in order to reinterpret them in the form of their own subjective experience. As Children of the Media, raised on television and muzak which comes into our eardrums in stores and restaurants and in the radio waves which surround us and penetrate the walls of our home unbidden, we reclaim our birthright to play with the media that so influences our thoughts, our minds, our world. We claim, in short, the right to be artists in the truest sense of the word.\r\n\r\nNCN is a long and passionate dance between all the above elements, events, and ideas.', 'NCN', '', 'publish', 'closed', 'closed', '', 'ncn', '', '', '2023-07-26 10:06:28', '2023-07-26 14:06:28', '', 0, 'https://demo.pro.radio/wp1/shows/sins-at-the-mic/', 0, 'shows', '', 0),
(1823, 1, '2023-03-17 12:24:43', '2023-03-17 16:24:43', 'Welcome to Tomes And Tea. Please check our schedule for upcoming shows.', 'Tomes And Tea', '', 'publish', 'closed', 'closed', '', 'tomesandtea', '', '', '2023-07-26 10:04:14', '2023-07-26 14:04:14', '', 0, 'https://demo.pro.radio/wp1/shows/dance-hits/', 0, 'shows', '', 0),
(1824, 1, '2015-03-09 19:25:53', '2015-03-09 19:25:53', '<i><b>Coast to Coast AM</b></i> is an American late-night radio talk show that deals with a variety of topics. Most frequently the topics relate to either the paranormal or conspiracy theories. It was hosted by creator Art Bell from its inception in 1988 until 2003, and is currently hosted by George Noory. The program is distributed by Premiere Networks, a subsidiary of iHeartMedia, both as part of its talk network and separately as a syndicated program. The program now airs seven nights a week from 1:00–5:00 a.m. Eastern Time Zone. <sup id=\"cite_ref-affiliatecount_1-0\" class=\"reference\"></sup>It appears on over 600 affiliates, and has repeatedly been called the most popular overnight show in the country.<sup id=\"cite_ref-NYT1_3-0\" class=\"reference\"></sup>\r\n\r\nIn 1978, Art Bell created and hosted <i>West Coast AM</i>, a late-night political talk/call-in show on Las Vegas radio station KDWN. <sup id=\"cite_ref-knight_4-0\" class=\"reference\"></sup>In 1988, Bell and Alan Corberth renamed the show <i>Coast to Coast AM</i> and moved its studios from the Plaza Hotel in Las Vegas to Bell\'s home in Pahrump. <sup id=\"cite_ref-knight_4-1\" class=\"reference\"></sup>After Bell\'s retirement, the show was hosted by various personalities, including Mike Siegel, George Noory, and others.\r\n\r\nAt its peak, <i>Coast to Coast AM</i> under Bell was syndicated by Premiere Radio Network, and aired on more than 500 radio stations and boasted a weekly listening audience in excess of 10 million listeners. Since 2013 the weekly listener numbers have declined to 2.5 million.<sup id=\"cite_ref-talkers.com_8-0\" class=\"reference\"></sup> According to estimates by <i>Talkers Magazine</i>, <i>Coast to Coast AM</i> has a cumulative weekly audience of around 2.75 million unique listeners listening for at least five minutes, making it the most listened-to program in its time slot.<sup id=\"cite_ref-talkers2.15_9-0\" class=\"reference\"></sup> By 2010 the program was known as by far the most popular overnight show in the country,<sup id=\"cite_ref-Lavin_2-1\" class=\"reference\"></sup> echoed by <i>The New York Times</i> in 2017, citing Nielsen ratings.<sup id=\"cite_ref-NYT1_3-1\" class=\"reference\"></sup>\r\n\r\nThe show is estimated to be carried by over 600 US affiliates,<sup id=\"cite_ref-affiliatecount_1-1\" class=\"reference\"></sup> along with a limited number of FM stations, as well as many Canadian affiliates, several of which stream the show on their station\'s website. The affiliate group is fronted by 12 clear-channel stations, among them WBT in Charlotte, WHO in Des Moines, WWL in New Orleans, WOR in New York City, KFBK in Sacramento, and KFI in Los Angeles. The show is also carried by Sirius XM Radio, on its Road Dog Trucking channel 146.', 'The Art Bell Show', '', 'publish', 'closed', 'closed', '', 'artbell', '', '', '2023-02-20 19:47:42', '2023-02-20 19:47:42', '', 0, 'https://demo.pro.radio/wp1/shows/about-jenny/', 0, 'shows', '', 0),
(1825, 1, '2015-03-09 19:26:19', '2015-03-09 19:26:19', 'Mountain-based mutant rock band Rubix Pube, will be hosting their very own show live on Slack Radio. Master of Ceremonies Fidd Chewley, will be appearing on the show along with Rubix Pube where you can not only learn more about the Rubix Pube, have fun with Rubix Pube, but also bear witness to live performances of the electrical and acoustical varieties by none other than...Rubix Pube!\r\n<ul>\r\n 	<li>Purchase Music by Rubix Pube: https://rubixpube.bandcamp.com</li>\r\n 	<li>Watch Rubix Pube Live: http://slackradio.org/bands/rubixpube/</li>\r\n 	<li>Subscribe to Rubix Pube on YouTube: https://www.youtube.com/c/rubixpubepa</li>\r\n 	<li>Follow Rubix Pube on Instagram: https://www.instagram.com/rubixpubepa</li>\r\n 	<li>Like Rubix Pube on Facebook: https://www.facebook.com/rubixpubepa</li>\r\n</ul>\r\n&nbsp;', 'Camp On Fire', '', 'publish', 'closed', 'closed', '', 'camponfire', '', '', '2024-01-18 22:34:46', '2024-01-19 03:34:46', '', 0, 'https://demo.pro.radio/wp1/shows/streets-of-ny/', 0, 'shows', '', 0),
(1826, 1, '2015-03-09 19:26:48', '2015-03-09 19:26:48', 'Join us every weekday morning at 9am EST for THE HOUR OF SLACK.\r\n\r\n&nbsp;', 'Hour of Slack', '', 'publish', 'closed', 'closed', '', 'jrdobbs', '', '', '2023-08-23 09:11:53', '2023-08-23 13:11:53', '', 0, 'https://demo.pro.radio/wp1/shows/detroit-sessions/', 0, 'shows', '', 0),
(1830, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Tuesday', '', 'publish', 'closed', 'closed', '', 'tuesday', '', '', '2024-01-18 23:26:33', '2024-01-19 04:26:33', '', 0, 'https://demo.pro.radio/wp1/schedule/tuesday-5/', 1, 'schedule', '', 0),
(1832, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Wednesday', '', 'publish', 'closed', 'closed', '', 'wednesday', '', '', '2024-01-18 23:35:34', '2024-01-19 04:35:34', '', 0, 'https://demo.pro.radio/wp1/schedule/wednesday-2/', 2, 'schedule', '', 0),
(1833, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Thursday', '', 'publish', 'closed', 'closed', '', 'thursday', '', '', '2024-01-18 23:40:48', '2024-01-19 04:40:48', '', 0, 'https://demo.pro.radio/wp1/schedule/thursday-2/', 3, 'schedule', '', 0),
(1834, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Friday', '', 'publish', 'closed', 'closed', '', 'friday', '', '', '2024-01-18 23:47:17', '2024-01-19 04:47:17', '', 0, 'https://demo.pro.radio/wp1/schedule/friday-2/', 5, 'schedule', '', 0),
(1835, 1, '2020-03-09 18:02:46', '2020-03-09 22:02:46', '', 'Saturday', '', 'publish', 'closed', 'closed', '', 'saturday', '', '', '2024-01-22 19:33:02', '2024-01-23 00:33:02', '', 0, 'https://demo.pro.radio/wp1/schedule/saturday-2/', 6, 'schedule', '', 0),
(1836, 1, '2020-03-09 18:02:46', '2020-03-09 18:02:46', '', 'Sunday', '', 'publish', 'closed', 'closed', '', 'sunday', '', '', '2024-01-19 00:04:33', '2024-01-19 05:04:33', '', 0, 'https://demo.pro.radio/wp1/schedule/sunday/', 7, 'schedule', '', 0),
(2001, 1, '2018-10-26 10:39:16', '2018-10-26 14:39:16', '', 'Theme From The Slack Hole', '', 'publish', 'closed', 'closed', '', 'theme-from-the-slack-hole', '', '', '2023-02-21 18:08:53', '2023-02-21 23:08:53', '', 0, 'https://demo.pro.radio/wp1/chart/spring-chart/', 0, 'chart', '', 0),
(2014, 1, '2018-04-14 10:39:16', '2018-04-14 14:39:16', '', 'TOP OF THE CHARTS', '', 'publish', 'closed', 'closed', '', 'radio', '', '', '2023-07-20 12:23:12', '2023-07-20 16:23:12', '', 0, 'https://demo.pro.radio/wp1/chart/oktopsingles/', 0, 'chart', '', 0),
(2030, 1, '2012-08-21 10:39:16', '2012-08-21 14:39:16', '', 'EP 2', '', 'publish', 'closed', 'closed', '', 'ep2', '', '', '2023-02-22 16:36:46', '2023-02-22 21:36:46', '', 0, 'https://demo.pro.radio/wp1/chart/in-love-top-15/', 0, 'chart', '', 0),
(2039, 1, '2018-04-14 10:39:16', '2018-04-14 14:39:16', '', 'Podcasts', '', 'publish', 'closed', 'closed', '', 'podcasts', '', '', '2022-04-19 08:34:25', '2022-04-19 08:34:25', '', 0, 'https://demo.pro.radio/wp1/chart/electro-top-chart/', 0, 'chart', '', 0),
(2050, 1, '2018-04-14 10:39:16', '2018-04-14 14:39:16', '', 'Bands', '', 'publish', 'closed', 'closed', '', 'bands', '', '', '2022-04-19 09:46:26', '2022-04-19 09:46:26', '', 0, 'https://demo.pro.radio/wp1/chart/music-for-dance/', 0, 'chart', '', 0),
(2062, 1, '2018-04-14 10:39:16', '2018-04-14 14:39:16', '', 'Destroy The Warming Sun', '', 'publish', 'closed', 'closed', '', 'destroy-the-warming-sun', '', '', '2023-02-21 18:09:46', '2023-02-21 23:09:46', '', 0, 'https://demo.pro.radio/wp1/chart/walking-street/', 0, 'chart', '', 0),
(2069, 1, '2018-04-14 10:39:16', '2018-04-14 14:39:16', '', 'Dueling Dragsters', '', 'publish', 'closed', 'closed', '', 'duelingdragsters', '', '', '2023-02-21 11:33:16', '2023-02-21 16:33:16', '', 0, 'https://demo.pro.radio/wp1/chart/techno-tracks-chart/', 0, 'chart', '', 0),
(2072, 1, '2019-06-25 10:39:16', '2019-06-25 14:39:16', '', 'Surfin\' Glue', '', 'publish', 'closed', 'closed', '', 'surfinglue', '', '', '2023-02-21 03:27:55', '2023-02-21 08:27:55', '', 0, 'https://demo.pro.radio/wp1/chart/happy-songs/', 0, 'chart', '', 0),
(2080, 1, '2020-10-02 10:39:16', '2020-10-02 10:39:16', '', 'Bobcomp I', '', 'publish', 'closed', 'closed', '', 'bobcomp1', '', '', '2022-05-10 07:02:11', '2022-05-10 07:02:11', '', 0, 'https://demo.pro.radio/wp1/chart/top-summer-songs/', 0, 'chart', '', 0),
(2092, 1, '2020-08-08 05:13:16', '2020-08-08 05:13:16', '', 'People Died Today', '', 'publish', 'closed', 'closed', '', 'people-died-today', '', '', '2022-05-10 07:10:15', '2022-05-10 07:10:15', '', 0, 'https://demo.pro.radio/wp1/chart/country-chart/', 0, 'chart', '', 0),
(2101, 1, '2022-03-12 11:26:16', '2022-03-12 11:26:16', '', 'Songs For Time Travel', '', 'publish', 'closed', 'closed', '', 'songs-for-time-travel', '', '', '2022-05-10 07:16:24', '2022-05-10 07:16:24', '', 0, 'https://demo.pro.radio/wp1/chart/ibiza-chart/', 0, 'chart', '', 0),
(2111, 1, '2023-01-17 10:39:16', '2023-01-17 15:39:16', '', 'The Invitro Collection Vol. 4', '', 'publish', 'closed', 'closed', '', 'theinvitrocollection4', '', '', '2023-02-22 16:38:53', '2023-02-22 21:38:53', '', 0, 'https://demo.pro.radio/wp1/chart/sounds-tribe/', 0, 'chart', '', 0),
(2117, 1, '2022-12-15 10:39:16', '2022-12-15 15:39:16', '', 'Silicon Heaven', '', 'publish', 'closed', 'closed', '', 'siliconheaven', '', '', '2023-02-22 16:32:17', '2023-02-22 21:32:17', '', 0, 'https://demo.pro.radio/wp1/chart/soul-collection/', 0, 'chart', '', 0),
(2121, 1, '2022-11-20 10:39:16', '2022-11-20 15:39:16', '', 'Negative Space', '', 'publish', 'closed', 'closed', '', 'negativespace', '', '', '2023-02-22 16:42:46', '2023-02-22 21:42:46', '', 0, 'https://demo.pro.radio/wp1/chart/house-tracks-top/', 0, 'chart', '', 0),
(2133, 1, '2018-03-14 10:39:16', '2018-03-14 14:39:16', '', 'We Are Alien?', '', 'publish', 'closed', 'closed', '', 'we-are-alien', '', '', '2023-02-21 18:17:59', '2023-02-21 23:17:59', '', 0, 'https://demo.pro.radio/wp1/chart/love-songs-world/', 0, 'chart', '', 0),
(2134, 1, '2002-01-01 10:39:16', '2002-01-01 15:39:16', '', 'Man​.​.​.​In The Universe?', '', 'publish', 'closed', 'closed', '', 'man-in-the-universe', '', '', '2023-02-21 18:09:22', '2023-02-21 23:09:22', '', 0, 'https://demo.pro.radio/wp1/chart/chill-out-top-songs/', 0, 'chart', '', 0),
(2135, 1, '2007-01-01 10:39:16', '2007-01-01 15:39:16', '', 'Humanity Will Fall Like Pins', '', 'publish', 'closed', 'closed', '', 'humanity-will-fall-like-pins', '', '', '2023-02-21 18:10:11', '2023-02-21 23:10:11', '', 0, 'https://demo.pro.radio/wp1/chart/r-n-b/', 0, 'chart', '', 0),
(2138, 1, '2021-04-16 09:39:16', '2021-04-16 09:39:16', '', 'Hypnostank', '', 'publish', 'closed', 'closed', '', 'hypnostank', '', '', '2022-05-10 07:13:13', '2022-05-10 07:13:13', '', 0, 'https://demo.pro.radio/wp1/chart/saturday-night-chart/', 0, 'chart', '', 0);
